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2. Collage as the Principle of Mythological Thinking and Postmodern Music
- Creator:
- David Kozel
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- hudební estetika, musical aesthetics, hudební kompozice, composition (music), mytologie, mythology, 78.01, 78.02, 25, and (048.8)
- Language:
- Czech
- Description:
- Studie Davida Kozla je věnována formě hudební koláže ve vztahu k princpipu mytologického myšlení, stejně jako jejího použití v postmoderní hudební tvorbě., The term neo-mythologism can be used as an interpretative approach to reflect the new 20th-century music paradigm, which helps to explain changes in the understanding of basic structural elements of myth and music. The study identifies certain possible correlations between mythological thinking and music by analysing the concept of collage (bricolage). The underlying theoretical concept employed is Claude Lévi-Strauss’ structural anthropology as proposed in La Pensée Sauvage (1962). Collage is viewed as a manifestation of neo-mythologism and as a narrative in the postmodern musical discourse, which is accompanied by changes in the understanding of the essence of the musical matter and compositional techniques of composers. The compositional treatment of several different layers of the musical structure within a musical collage with a view to conveying a new meaning is in principle akin to how meaning is generated in mythological thinking through the combination of various materials., David Kozel., Rubrika: Studie, and České resumé na s. 192, anglický abstrakt na s. 181.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
3. Con tempo diverso / Vzdálená blízkost společného. Společnost a hudba ve vývoji českého a slovenského národa v letech 1918-2018
- Creator:
- Ondřej Maňour
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- hudební konference, conferences on music, Praha (Česko), Prague (Czechia), 78:005.745, (437.311), and (046)
- Language:
- Czech
- Description:
- Příspěvek Ondřeje Maňoura je ohlédnutím za mezinárodní konferencí k výročí 100 let od založení ČSR, která se uskutečnila v Praze ve dnech 30. až 31. května 2018., Ondřej Maňour., Rubrika: Konference, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
4. Hudba na českokrumlovském zámku v létě roku 1780: (den v životě Antonína Jünglinga, schwarzenberského hudebníka a úředníka)
- Creator:
- Martin Voříšek
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- 1780-1790, hudebníci, musicians, dějiny hudby, history of music, regionální dějiny, regional history, Český Krumlov (Česko), Český Krumlov (Czechia), zámecké kapely, Jüngling, Antonín, 78.071.1/.2, 78(091), 93/94-027.541, (437.319), and (048.8)
- Language:
- Czech
- Description:
- Studie Martina Voříška je věnována hudebnímu životu na zámku v Českém Krumlově v roce 1780. Autor jej sleduje prostřednictvím neobvyklé události. 12. srpna 1780 totiž byla vykradena knížecí pokladna, z níž se ztratilo více než 950 zlatých. V té době ji měl na starosti kancelista a dvorní hudební ředitel Antonín Jan Jüngling. Aby se zbavil z podezření, že byl pachatelem tohoto činu, vytvořil detailní soupis své denní činnosti, díky níž tak zcela mimoděk vznikl unikátní dokument reflektující činnost schwarzenberské kapely v té době. Výňatky z tohoto dokumentu, jež se týkají hudby, jsou citovány v příloze., The article is based on a lengthy report by Anton Johann Jüngling on his own activities on 12 August 1780; Jüngling was at the time the Schwarzenbergs’ music director and also a highly placed official. This unique historical source affords a very detailed look at Jüngling’s daily life as a person and a professional, and in combination with other sources, it also enables the creating of a quite detailed picture of the musical events at the Schwarzenberg court over a period of just under two weeks, when the Schwarzenbergs were staying in Český Krumlov with their guests. The musical activities included theatrical performances, a ball, a private concert with repertoire consisting of orchestral arrangements of music from singspiels currently being performed (Die schöne Schusterin and Die abgeredte Zauberey), and accompaniment for worship services. The study documents that the musicians at the princely court were able to secure the music for most of these occasions, and that they were supplemented or substituted for as needed by hired musicians from the town or the military., Martin Voříšek., Rubrika: Studie, and Anglické resumé na s. 141-142, anglický abstrakt na s. 117.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
5. Július Fujak: Emanácie hudobnej semiosféry
- Creator:
- Jarmila Doubravová
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Fujak, Július, 1966-, hudební teorie, music theory, hudební sémiotika, musical semiotics, 781, 781.21, and (0:82-95)
- Language:
- Czech
- Description:
- Jarmila Doubravová., Rubrika: Recenze, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
6. Les Italiens et la vie musicale à Paris (1640-1750)
- Creator:
- Jana Franková
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- konference, conferences, dějiny, history, Paříž (Francie), Paris (France), 005.745, 93/94, (44), and (046)
- Language:
- Czech
- Description:
- Příspěvek Jany Frankové je ohlédnutím za mezinárodní mezioborovou konferencí, která se uskutečnila v Paříži ve dnech 30. listopadu až 2. prosince 2017., Jana Franková., Rubrika: Konference, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
7. Listening for Stockhausen
- Creator:
- Marcus Zagorski
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Stockhausen, Karlheinz, 1928-2007, hudební díla, musical works, poslech hudby, music listening, hudební teorie, music theory, 78.08, 78.01, 781, and (048.8)
- Language:
- Czech
- Description:
- Studie Marcuse Zagorskiho je věnována dílu hudebního skladatele Karlheinze Stockhausena. Autor se však na něj zaměřuje z netradičního pohledu, protože zkoumá problematiku a způsob poslechu Stockhausenovy hudby., Karlheinz Stockhausen’s theory of listening reflected essential tenets of his creative practice and aesthetic inclinations. He outlined an admirably tolerant and accepting approach to listening and encouraged different listeners to generate different formal models to describe the same music. His method of listening thereby challenged the perceptual reconstruction of known, pre-existing forms that was so important to listening in the preceding 150 years, and this complemented his compositional challenge to another established aesthetic category – that of the closed musical work. By revealing this aesthetic background, this article shows the significance of Stockhausen’s thinking about listening., Marcus Zagorski., Rubrika: Studie, and České resumé na s. 201, anglický abstrakt na s. 193.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
8. Marginálie ke Slovníku staročeských hymnografů
- Creator:
- Jan Kouba
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- muzikologie, musicology, hymnologie, hymnology, 78.01, 783.6:781, and (049)
- Language:
- Czech
- Description:
- Příspěvek Jana Kouby představuje autorovo zastavení nad jeho knihou "Slovník statočeských hymnografů". Věnuje se zde otázce pojmů hymnografie a hymnologie, německým hymnografům a dalším tématům., The article summarises all of the problems with the existing editions of Leoš Janáček’s organ compositions. The indisputable originality of the composer’s musical language, highlighted by his peculiar, inimitable notation and the nearly illegible handwriting that resulted when his hand could not keep up with his thoughts, did not always lead to comprehension of the composer’s intentions. These circumstances also emboldened the efforts of publishers to make the notation of his compositions more intelligible and often to “improve” his works in the best sense of the word. It is the author’s assertion that in spite of the existence of a Complete Critical Edition of the Works of Leoš Janáček and of many other printed editions, we shall still have to wait for an edition of Janáček’s organ works that will correct all of the errors in the musical text and will approach a return to the composer’s notation., Jan Kouba., Rubrika: Informatorium, and Anglický abstrakt na s. 223.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
9. Otakar Ostrčil and the Critical Edition of Bedřich Smetana's Opera Prodaná nevěsta
- Creator:
- Markéta Kratochvílová
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Ostrčil, Otakar, 1879-1935, Smetana, Bedřich, 1824-1884, 1921-1940, kritická vydání, critical issues, opery, operas, hudebniny, sheet music, 82.09, 782, 78.089, and (048.8)
- Language:
- Czech
- Description:
- Studie Markéty Kratochvílové je věnována osobnosti hudebního skladatele a dirigenta Otakara Ostrčila, avšak zaměřuje se na jeho ediční činnost. Autorka se zde věnuje Ostrčilově participaci na kritickém vydávání děl Bedřicha Smetany, kterýžto projekt realizoval Zdeněk Nejedlý ve 20. a 30. letech 20. století. Prodanou nevěstou se Ostrčil zabýval od roku 1924 až do své smrti v roce 1935 a edicí se zabýval nejen jako standardní editor, ovšem velmi podrobně se vyjadřoval i k podobě hudební sazby a dalším parametrům edice., The present study familiarises the reader with the activity of the composer and conductor Otakar Ostrčil as a music editor and in particular his work on the critical edition of Bedřich Smetana’s opera Prodaná nevěsta (The Bartered Bride), which was realised as part of the first attempt at publishing a complete works edition of Smetana’s music between 1924 and 1936 under the leadership of Zdeněk Nejedlý. The study is based on correspondence exchanged between Ostrčil and Nejedlý and is placed in the context of efforts to publish Smetana’s works during the first decades of the twentieth century as well as the context of Ostrčil’s life and works., Markéta Kratochvílová., Rubrika: Studie, and České resumé na s. 179-180, anglický abstrakt na s. 169.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
10. Problémy dosavadních vydání varhanních skladeb Leoše Janáčka
- Creator:
- Jan Hora
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Janáček, Leoš, 1854-1928, hudebniny, sheet music, hudba pro varhany, organ music, 78.089, 786.61, and (049)
- Language:
- Czech
- Description:
- Příspěvek Jana Hory je věnován edičním zpracováním varhanních kompozic od hudebního skladatele Leoše Janáčka. Autor, jenž je sám výtečným varhaníkem, zde hodnotí jejich úroveň i nedostatky., The article summarises all of the problems with the existing editions of Leoš Janáček’s organ compositions. The indisputable originality of the composer’s musical language, highlighted by his peculiar, inimitable notation and the nearly illegible handwriting that resulted when his hand could not keep up with his thoughts, did not always lead to comprehension of the composer’s intentions. These circumstances also emboldened the efforts of publishers to make the notation of his compositions more intelligible and often to “improve” his works in the best sense of the word. It is the author’s assertion that in spite of the existence of a Complete Critical Edition of the Works of Leoš Janáček and of many other printed editions, we shall still have to wait for an edition of Janáček’s organ works that will correct all of the errors in the musical text and will approach a return to the composer’s notation., Jan Hora., Rubrika: Informatorium, and Anglický abstrakt na s. 213.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private