The Collections Documenting the Lives of our Expatriates in North America in the Second Half of the 19th Century in the Collections of the National Museum - Náprstek Museum of Asian, African and American Cultures.
Studie Kateřiny Nové se zabývá vzájemnými vztahy mezi dirigentem Václavem Talichem a hudebním vědcem Otakarem Šourkem, které vykládá s pomocí dochované korespondence těchto osobností., The friendship between the music writer, critic, and organizer Otakar Šourek and the world-famous conductor Václav Talich lasted nearly 50 years. We can get an idea of the intensity of their friendship by studying their mutual correspondence. Šourek always deeply admired Talich, and he tried to support him with all of his might (although not unconditionally). Talich, on the other hand, respected Šourek, and he confided in him about his everyday cares and joys, but in their correspondence we also find deep reflections about the music of Antonín Dvořák or comments about current politics and social issues. Talich’s letters thus give us a glimpse beneath the surface of the daily life of one of the most prominent Czech conductors., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 319, anglický abstrakt 301.
The music critic, writer, and organizer Otakar Šourek was bound to the world-famous conductor Václav Talich by a close friendship practically throughout their lifetimes. The study of their mutual correspondence provides valuable information about their experiences during the difficult years of the Nazi occupation and following the Communist putsch. Šourek was Talichs advisor and confidant, and even during the hardest years, he always expressed his support for Talich and gave him practical assistance. Talich greatly valued Šourek for his personal character and for the work he had done in the field of Dvořák scholarship. The article is a continuation of a study published in Hudební věda 49 (2012), No. 3, pp. 301-320., Kateřina Nová., Rubrika: Studie, and Anglické resumé na s. 143-144.
This study is dedicated to documenting the relationship between these two important musicians on the basis of excerpts from extant written sources. The most important documentation of contacts between Vaclav Jan Tomasek (1774-1850) and Carl Maria von Weber (1786-1826), who worked in Prague from 1813 until 1817 as Kapellmeister of the Estates Theatre, is Tomaseks autobiography published in Prague in 1845-1850 in a yearbook titled Libussa. We find additional brief documentation in Weber's diaries and in the correspondence of both men addressed to other persons. Tomasek's autobiography is also important documentation of how Weber's works were viewed by the German public and music critics., Obsahuje seznam literatury, and Anglické resumé na s. 82.