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51. Šimrák versus Šimbracký: Mythen und Realität in der slowakischen Musikhistoriographie

52. Some observations on the VatS 18 and BoIC Q19 Settings of the Antiphon Da Pacem: Were They Composed by Costanzo Festa?

53. St Scholastica's Office in Medieval Manuscripts of St George's Convent at Prague Castle

54. Stávající hudební instituce - jejich stav a perspektivy

55. Thannenwald - the Lost Manuscript from Elblag/Elbing Partially Rediscovered

56. The Boundaries of Musical Humanism: Slavic Regions & Mediterranean Culture

57. The Musical Culture of Silesia Before 1742: New Contexts - New Perspectives

58. The Reception on the Oeuvre of Composers Active at the Court of Rudolf II in Prague in the Contemporaneous Musical Repertoire of Historical Upper Hungary

59. The Royal Musical Association Research Students' Conference