By analysing of two rádio plays originating in the Brno rádio dramatic school (Milan Uhde: Výběrčí /The Collector/, 1966; Antonín Přidal: Sudičicy IEncliantresses/, 1968), the study aims to prove that the script of a rádio play (like a theatre play) can be read and analyzed as an independent piece of art - as a literary work. This approach is in opposition to a generally accepted thesis, that a rádio play may be percepted only through the acoustic execution of the script (the audio recording).