In addition to fights at particular front-lines, war conflicts influence the otherwise quite calm life in the hinterland areas as well. This manifests itself not only in material poverty of the people living in the hinterland areas, but also by infringements of close and wider family relationship. The young men, who must go fighting, leave at home not only their parents, grand-parents, brothers and sisters and other relatives, but very often also their girl-friends, fiancées, wives as well as children. No one of them knows whether they will meet again. This is a big intrusion into existing and possible future family relations, of course.
On a particular example, the text follows two young people separated by the call-up order during World War I (in spring 1915), their fates, better said how their fates were passed on in family memories within the space of almost one century, namely from the World War I up to the outset of the 21st century. The reflexion of this family story passed down from generation to generation in its basic outlines, showed itself in a quite different light after almost one hundred years, than it was passed on through family gatherings and repeated narrations over a long period.
By analysing of two rádio plays originating in the Brno rádio dramatic school (Milan Uhde: Výběrčí /The Collector/, 1966; Antonín Přidal: Sudičicy IEncliantresses/, 1968), the study aims to prove that the script of a rádio play (like a theatre play) can be read and analyzed as an independent piece of art - as a literary work. This approach is in opposition to a generally accepted thesis, that a rádio play may be percepted only through the acoustic execution of the script (the audio recording).