This study focuses on the early modern history of the monastic library of the Order of St Augustine at St Thomas in Prague. On the basis of archival sources (monastic chronicles, the catalogue of the members of the Order) and research into provenances in extant collections, this paper primarily aims to map the development of the Augustinian library in the 16th and 17th centuries. Provenance research has discovered that the monastic library was mainly used for monastic studies and for preaching and pastoral activities of the Augustinians. The research into book provenances has revealed numerous personal ties between the Lesser Town Augustinians and people at the court of Rudolph II. The results of the archival and provenance research have not confirmed the hypothesis of the complete looting of the library at the end of the Thirty Years’ War, but neither have they clearly proved the true extent of the losses suffered by the library. The research has shown the primary role of the library within the Order of St Augustine in the Czech lands and has indicated the position of the library in a broader social and cultural context., Veronika Sladká., and Obsahuje bibliografické odkazy
The article presents the unique collection of Quaker literature in the Library of the Czech Academy of Sciences. It comprises 209 books printed between 1648 and 1946, acquired by the married couple Libuše Ambrosová and Miloš Vejchoda-Ambros during their stay in England in 1940-1946., Markéta Kučerová., and Obsahuje bibliografické odkazy
The article provides information on the finding of a previously unknown Czech-language printed book from 1623, the work of the Prague typographer Pavel Sessius and an unknown Czech translator, who used the initials M.W.S. The unique printed book was discovered in the collections of the Österreichische Nationalbibliothek in Vienna. Besides the textual part, comprising quotations from the Bible and short prayers, it includes a title border with the motif of Calvary, inspired by earlier domestic sources, and above all sixteen woodcut copies of selected scenes from the graphic cycle The Small Passion by the German painter and graphic artist Albrecht Dürer. The article describes the typography and illustration aspects of the printed book in detail. The author also tries to identify any foreign models for it., David Mach., and Obsahuje bibliografické odkazy