This study focuses on the manuscripts of the library of the Piarist College in Mikulov which is kept at the Moravian Provincial Library in Brno as a closed holding. The inventory is based on an old manuscript inventory compiled by Vladislav Dokoupil (1918–1992) which, however, has been adapted, completed, and extended substantially by a historical commentary. In the commentary the author tries to determine the origin of the manuscript collection by analysing preserved manuscripts and other archival material of Piarist provenance.
The Krnov Town Museum collections include two medieval manuscripts – a Latin Bible and a German gospel postilla by Nikolaus von Dinkelbühl. Neither manuscript has previously been known to specialist circles. The Bible contains the text of the Latin Vulgate with prologues on most books of the Bible, and it was completed in 1433 by an unknown scribe. From the ownership notes and monograms it was possible to ascertain that its owner was in the second half of the fifteenth century the administrator of the Utraquist Consistory and Chancellor of Prague University Václav Koranda the Younger. The number of manuscripts known today preserved from Koranda's library has come to forty. The Bible was acquired by the museum collections from the Minorite Monastery Library in Krnov in the early 1950s. The second medieval manuscript is the German gospel postilla by Nikolaus von Dinkelsbühl, which is the only known example of this work housed in Czech libraries.
The Latin treatise De amore (s. XII/XIII) by Andreas Capellanus has repeatedly presented a challenge to research because of the heterogeneity of its form and contents. The numerous interpretations of this elusive work base themselves on the single edition by Emil Trojel from 1892 which does not convey a representative account of the rich and complex transmission of the text. An important part of this contribution is, thus, to elucidate both the transmission history of De amore and relevant questions for research. The main focus will be an analysis of the textual version of De amore in the aforementioned Prague manuscript (1471–1481) and its formal-structural transformation, its codicological surroundings as well as its cultural context. This late-medieval textual witness suggests, on every level of the text, significant emendations to the textual form as presented by Trojel. By means of radical truncations and a prominent restructuring, new intratextual connections are created: a reinforced edifying function, an ambition for a general validity, and tendencies concerning structuring and systematizing clearly appear to be the new principles for the shaping of the text. In the Prague manuscript, De amore is copied between contemporary Humanist treatises whose contextualisation will be presented as the source of further thoughts on literary history. The contribution will be rounded off by means of an up-to-date comprehensive list of the manuscript transmission of De amore, a comparative table of the different structurings of the text, and a new description of the Prague manuscript.
The Latin treatise De amore (s. XII/XIII) by Andreas Capellanus has repeatedly presented a challenge to research because of the heterogeneity of its form and contents. The numerous interpretations of this elusive work base themselves on the single edition by Emil Trojel from 1892 which does not convey a representative account of the rich and complex transmission of the text. An important part of this contribution is, thus, to elucidate both the transmission history of De amore and relevant questions for research. The main focus will be an analysis of the textual version of De amore in the aforementioned Prague manuscript (1471–1481) and its formal-structural transformation, its codicological surroundings as well as its cultural context. This late-medieval textual witness suggests, on every level of the text, significant emendations to the textual form as presented by Trojel. By means of radical truncations and a prominent restructuring, new intratextual connections are created: a reinforced edifying function, an ambition for a general validity, and tendencies concerning structuring and systematizing clearly appear to be the new principles for the shaping of the text. In the Prague manuscript, De amore is copied between contemporary Humanist treatises whose contextualisation will be presented as the source of further thoughts on literary history. The contribution will be rounded off by means of an up-to-date comprehensive list of the manuscript transmission of De amore, a comparative table of the different structurings of the text, and a new description of the Prague manuscript.
The plenarium of Načeradec belongs to the ten eldest diocesan missals which have been preserved in Bohemia and Moravia. It can be dated to the second decade of the 14th century according to its script and decoration. Only a small part of the ordinarium and de tempore of the proper missal have been preserved. The original calendar was substituted for a new one at the beginning of the 15th century. Municipal scribes recorded in the free margins of the codex a series of memorial entries which became a pretious source of knowledge of the everyday life in the second half of the 16th and in the first half of the 17th centuries.
This paper opens a series of works on Czech art-historical terminology of medieval book painting. In the logic of the system of illumination description it focuses on the definition of basic terms in comparison to foreign literature. Moreover, it presents a preliminary typology of acanth ornaments, commented in regard to the genesis and chronology of the frequence of the studied samples in European book painting.
This article examines the evolution of the term tabula from antiquity onward and the use of it in middle ages and early modern age literature. It analyses in detail the term tabulae ecclesiae finding its triple meaning in the Central European environment: 1) tabulae written on parchment (later on paper) and fixed on a board in the church – these contained information and instructions for laymen, those in the sacristy or in the choir contained normative constitutions or doctrinal auctoritates for clerics, 2) tabulae on the church walls near the high-altar contained lists of persons to be remembered in liturgy permanently; their external form were frescos framing their names like funeral tablets, 3) the same term tabulae ecclesiae is used also in the sense of financial cash resulting from a church collection. In all cases the ideological connection of medieval church boards to antique legistic texts (1.), to fasti (2.) or to the external form of a real board only (3.) is examined.
This article examines the evolution of the term tabula from antiquity onward and the use of it in middle ages and early modern age literature. It analyses in detail the term tabulae ecclesiae finding its triple meaning in the Central European environment: 1) tabulae written on parchment (later on paper) and fixed on a board in the church – these contained information and instructions for laymen, those in the sacristy or in the choir contained normative constitutions or doctrinal auctoritates for clerics, 2) tabulae on the church walls near the high-altar contained lists of persons to be remembered in liturgy permanently; their external form were frescos framing their names like funeral tablets, 3) the same term tabulae ecclesiae is used also in the sense of financial cash resulting from a church collection. In all cases the ideological connection of medieval church boards to antique legistic texts (1.), to fasti (2.) or to the external form of a real board only (3.) is examined.
The paper studies the typology of the initials following the way of construction of their corpus in the mutual ties in the development – departing from the late antique, considering the Byzantine and Pre-Romanesque and Romanesque types. The modifications of the initials are studied together with the changes of their function in the decoration system and in the cultural-historical context. The contribution also studies the changes of the terminology connected with the typology of the initials.