The paper discusses five instruments made by the organ-builder Johann Frančišek Janeček, who originated from a Bohemian or Moravian family, and who worked in Celje in Slovenia in the 18th century. Five of his preserved organs are embellished with angelic musicians: King David with the harp or St. Cecilia with the organ. The organ cases and figures with musical instruments bear certain resemblances to the work of the Bohemian and Moravian organ-builders. The paper also mentions some characteristics of the organ preserved in the church of Saint Catherine in Prague, made by Martin Janeãek and Jan Storck between 1734 and 1741.
Colors of autumn. Seasonal leaf abscission is both impressing and important part of plant phenology, especially in temperate regions. Further text deals with environmental and ecological cues leading to deciduous or evergreen strategy, physiological processes governing abscission, chlorophyll degradation, and tools which human may use to modify phenology patterns as well.
This text considers the early creative output of Ignác Cornova, in particular his lesserknown odes and his war poetry. It draws on contemporary research of the latter third of the 18th century focussing on the dynamic social change of the period, the transformation of the media, the emergence of a modern ‘public’, and changing perceptions of artistic as opposed to educational output. One of the difficulties of conceptualizing this period is the existence of two opposing trends – the older ‘Baroque’ tradition and the more ‘modern’ currents of the future national movement. Our text largely obviates this dichotomy by proposing a framework in which Cornova’s oeuvre is seen as evidence of an idiosyncratic cultural situation with its own features and markers. The aim of our study is to place Cornova’s early works within the literary context of his time – a context hard to appreciate today. We are not looking for the ‘future’ Cornova in those beginnings, nor the ‘embryos’ of his later development. Rather, we hope to rehabilitate the literary context in the Czech lands in the 1770s and 1780s as it veered between late Baroque odes, war reportage, and enlightenment patriotism. Alongside Cornova we consider now forgotten figures such as Vojtěch Koťara, Michael Denis, Johann Joseph Eberle and Václav Thám. The result is not a group biography, but rather a problem analysis of one segment of a period that defies unequivocal definition.