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2. Collage as the Principle of Mythological Thinking and Postmodern Music
- Creator:
- David Kozel
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- hudební estetika, musical aesthetics, hudební kompozice, composition (music), mytologie, mythology, 78.01, 78.02, 25, and (048.8)
- Language:
- Czech
- Description:
- Studie Davida Kozla je věnována formě hudební koláže ve vztahu k princpipu mytologického myšlení, stejně jako jejího použití v postmoderní hudební tvorbě., The term neo-mythologism can be used as an interpretative approach to reflect the new 20th-century music paradigm, which helps to explain changes in the understanding of basic structural elements of myth and music. The study identifies certain possible correlations between mythological thinking and music by analysing the concept of collage (bricolage). The underlying theoretical concept employed is Claude Lévi-Strauss’ structural anthropology as proposed in La Pensée Sauvage (1962). Collage is viewed as a manifestation of neo-mythologism and as a narrative in the postmodern musical discourse, which is accompanied by changes in the understanding of the essence of the musical matter and compositional techniques of composers. The compositional treatment of several different layers of the musical structure within a musical collage with a view to conveying a new meaning is in principle akin to how meaning is generated in mythological thinking through the combination of various materials., David Kozel., Rubrika: Studie, and České resumé na s. 192, anglický abstrakt na s. 181.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
3. Pojem lévistraussovské "torze"
- Creator:
- Vrhel, František
- Format:
- Type:
- model:internalpart and TEXT
- Subject:
- Claude Lévi-Strauss, la torsion, the twist, mythology, and canonic formula
- Language:
- Czech
- Description:
- The present article is focusing on Lévi-Straussian concept of „la torsion“ (the twist), which was for a long time fairly neglected by the structuralist criticism. The article consists in three parts. The first one is dedicated to the „torsion“ in the context of Claude Lévi-Strauss' works; the second part is trying to take into account different interpretations of the „twist" within the frame of Canonic Formula, and the third one raises the question about the meaning of the Lévi-Straussian twist, which emerges - in view of the present autor - as an exponent of cross-cultural horizon.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Typologie barokních frontispisů v bohemikálních tiscích z let 1618–1765
- Creator:
- Beránková, Hana
- Type:
- article, model:article, and TEXT
- Subject:
- frontispiece typology, frontispieces, Baroque, book illustrations, marketing, emblems, mythology, personification, coats of arms, portraits, symbols, and allegory
- Language:
- Czech
- Description:
- The article deals with the typology of Baroque frontispieces in printed books published in Bohemian and Moravian printing houses in 1618–1765, which is viewed in terms of the function of the frontispieces in printing. The paper contains a detailed analysis of the main thematic variants of frontispieces. The thematic variants are analysed with respect to the content and genre of the work concerned with the aim to determine the main marketing strategies of Bohemian and Moravian printers, publishers or booksellers in the visual promotion of their products.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public