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1302. Tučňák v opeře aneb turecká karikatura od svých počátků po současnost
- Creator:
- Petra Prahlová
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- Dějiny Asie. Orient, konflikty, tučňáci, symboly, conflicts, penguins, symbols, Turecko, Turkey, 8, and 94(5)
- Language:
- Czech
- Description:
- The article summarizes the development of the Turkish political cartoon from Ottoman period and focuses on political cartoons in the satirical magazine Penguen during the venets related to Gezi park in Istanbul this year. The goal of the article is to show the importance of the satirical press in Turkey, its role as a forum for oppositional opinions and as a conveyor of uncensored news. It also tires to answer the question of how much the tense political situation affects political cartoons., Petra Sedmíková., and Obsahuje bibliografii
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1303. Turecké jaro? Od ekologického protestu k občanskému neklidu
- Creator:
- Kučera, Petr
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- Dějiny Asie. Orient, protestní hnutí, demokratizace, protest movements, democratization, Turecko, Turkey, 8, and 94(5)
- Language:
- Czech
- Description:
- In May and June 2013 Turkey witnessed one of the longest and biggest social unrests in its modern history. Protesters all around the country rebelled against the government's authoritarian tendencies and police violence, exemplified by the hars treatment of activists resisting the reshaping of Istanbul's favorite Taksim Square and the adjacent Gezi Park. This essay address the origins, development and outcomes of the Turkish "Occupy Gezi" movement. It seeks the roots of the movement on three interdependent levels centered around the uses and misuses of public space and the instrumentalization of civil society in the hegemonical political discourse. Accordingly, the demonstrations are analyzed as (1) a critique of neoliberal developmentarism in Turkey, reflected in the marketization/commodification of public space and the destruction of the envoronment; (2) as a critique of the majoritarian, non-inclusive concept of democracy that accompanies neoliberal economic policies in Turkey and has manifested itself in the attempt to appropriate public space and to gain effective control over "disloyal" elements of society; and (3) finally as a critique of state paternalism, its most palpable effect being the imposition of conservative values, the distaste for alternative life-styles and the construction of a homogeneous mass of "Turkish citizens" adhering to similar values. We argue that the alleged Islamism of the ruling AKP played only an accessory role in the outbreak and development of the protests. What was an ecological protest and outcry at non-participative urban transformation in the beginning turned into a widespread popular happening whose participants tried to create an alternative to the bureaucratic machinery of the neoliberal state and the increasingly authoritarian behavior of its representatives who are unresponsive and unsensitive to the frustrations of oppositional voices, non-religious classes and different life-styles., Petr Kučera., and Obsahuje bibliografii
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1304. Turecko a Blízký východ: nová podoba orientalismu?
- Creator:
- Jitka Malečková
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- Dějiny Asie. Orient, sekularismus, demokracie, Secularism, democracy, Turecko, Turkey, 8, and 94(5)
- Language:
- Czech
- Description:
- Comparisons of the recent protests in Turkey to the Arab Spring are met with negative responses among representatives of the Turkish governmnet as well as those criticizing the govemment. The attitudes of political opponents emphasizing the difference between Turkey and the other Middle Eastern countries show the impact of Orientalism on Turkish identity as well as perceptions of Turkey's role as a model for (not only) Middle Eastern Muslim countries., Jitka Malečková., and Obsahuje bibliografii
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1305. Tvarožná - Za školou: the results of 2008 excavation season
- Creator:
- Petr Škrdla, Tostevin, Gilbert, Daniel Nývlt, Lenka Lisá, Ondřej Mlejnek, Antonín Přichystal, and Richter, Daniel
- Type:
- model:article and TEXT
- Subject:
- archeologie, Moravia, Bohunician, Middle/Upper Paleolithic transition, Levalloisian technology, Geoarchaelogy, Micromorphology, 8, and 902
- Language:
- Czech
- Description:
- The Middle to Upper Paleolithic (MP/Up) transitional period and the question of a replacement of Neanderthals by Anatomically Modern Humans is a crucial question in current Archaeology and ANthropology. However, without the discovery and excavation of new Early Upper Paleolithic (EUP) sites, no progress in the issue of the MP/UP transitional period in the Middle Danube Region would be possible. The systematic and repeated surface surveys on the site of Tvarožná-Za školou (Fig. 2) resulted in an important Bohunician artifact assemblage. Among the important features of thsi assemblage is an equal ratio of Stránska skála type adn Krumlovský les type cherts, which are supplemented by non-specified Moravian Jurassic cherts, Cretaceous spongolite cherts, radiolarite, and erratic flint. The industry is characterized by the absence of bifacial reduciton and the application of Levalloisian technology on all recognized types of raw material. Because the test pits excavated during 2006-2008 yielded arfifact within intact sediments, a larger and more complex excavation was realized during summer 2008 and a continuation is planned for 2010. The straifiied collection from Tvarožhná will contribute to the knowledge about the EUP in MOravia by clarifying the chronology and homogeneity/heterogenity of Bohunician collections (cf. hypothesis in Tostevin, Škrdla 2006). Another important issue is the cmoparison of the surface and excavated collection from the same site. While the surface collection was already published (Škrdla 2007), this arcitcle presents field results and preliminary interpretations from the 2008 season., Petr Škrdla ... [et al.]., and Obsahuje seznam literatury
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1306. Tvůrčí Morava
- Creator:
- František Pražák
- Publisher:
- Nákladem a tiskem Pokroku
- Format:
- print, text, regular print, and 63 s. ; 17 cm
- Type:
- model:monograph and TEXT
- Subject:
- Česká literatura (o ní), Biografie, čeští spisovatelé, 19.-20. století, sbormistři, Česko, hudební skladatelé, literární kritika, literatura pro mládež, Morava (Česko), 821.162.3-051, 78.071.2, 78.071.1, 82-95, 82-93-053.6, (437.32), (0:82-4), (0:82-94), 11, 8, 821.162.3.09, and 929
- Language:
- Czech
- Description:
- František Pražák and Údaje o edici převzaty z SKC ČR
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1307. Typografie pod drobnohledem: rubriky a ozdůbky v ivančických tiscích v letech 1564-1578
- Creator:
- Sladká, Veronika
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Blahoslav, Jan, typografie, tisky, typography, prints, Unity of Brethren, Brethren’s printing house, Renaissance typography, typographical analysis, printer’s ornament, pilcrow, pointing finger, 8, and 930
- Language:
- Czech
- Description:
- Small typographic elements such as pilcrows, pointing fingers, and type-ornaments optically separated the typeset and helped the reader to grasp the text. The latter also boosted the aesthetic quality of the printed work. However, whether such material occurs in a book and to what extent varies with time, genre, and printing house. Any specific use reflects not only the typesetter practice but can also indicate the intentions of the particular printer (printing house) or reading habits of the intended readership. Considering that the Brethren bishops carefully scrutinised and supervised every edition printed in their illegal printing house in Ivančice (South Moravia), one can assume a thoughtful and discreet attitude towards the content, likewise the typography. The present study explores the visual practices adopted by the Brethren for the typesetting of hymnbooks, Bibles, and confessions. The aim is to provide a detailed account of the design and function of the Brethren pilcrows and printers’ ornaments based on a typography analysis of all known pieces printed between 1562-1578 on the Brethren press. The results provide strong evidence that the Brethren developed a sophisticated typographical system to strengthen and partly to reform the Brethren liturgy. The unique way of the Brethren for marking stanzas and repetition within the printed hymns using pilcrows and “trefoil” is an entirely new finding. Whatsmore, a comparison of the Brethren’s book with similar production published by the local printers indicates unprecedented precision of the Brethren’s typesetters devoted to the graphic design of the liturgical texts (hymnbooks, Bibles). Considering the extant historical sources, the outcomes presented here indicate a systematic effort to implement a unified order into Brethren liturgy urged by the leading Brethren bishops., Veronika Sladká., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1308. Typologie barokních frontispisů v bohemikálních tiscích z let 1618-1765
- Creator:
- Hana Beránková
- Format:
- print, bez média, and svazek
- Type:
- article, články, journal articles, model:article, and TEXT
- Subject:
- Historická věda. Pomocné vědy historické. Archivnictví, 17.-18. století, baroko, knižní ilustrace, marketing, emblémy, mytologie, znaky, portréty, symboly, alegorie, bohemika, baroque, illustration of books, emblems, mythology, coats of arms, portraits, symbols, allegory, Bohemistics (sources), frontispiece typology, frontispieces, personification, 8, and 930
- Language:
- Czech
- Description:
- The article deals with the typology of Baroque frontispieces in printed books published in Bohemian and Moravian printing houses in 1618-1765, which is viewed in terms of the function of the frontispieces in printing. The paper contains a detailed analysis of the main thematic variants of frontispieces. The thematic variants are analysed with respect to the content and genre of the work concerned with the aim to determine the main marketing strategies of Bohemian and Moravian printers, publishers or booksellers in the visual promotion of their products., Hana Beránková., Obsahuje anglický abstrakt a shrnutí., and Obsahuje bibliografii
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1309. Tzvetan Todorov, L’Esprit des Lumières
- Creator:
- Dufka, Tomáš
- Format:
- print, text, regular print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- 8 and 94(437)
- Language:
- Czech
- Description:
- [autor recenze] Tomáš Dufka.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1310. Ubi est finis huius libri deus scit. Středověká knihovna augustiniánských kanovníků v Roudnici nad Labem, edd. Michal Dragoun, Lucie Doležalová, Adéla Ebersonová
- Creator:
- František Šmahel
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- medievalistika, medievalistics, 8, and 930
- Language:
- Czech
- Description:
- [autor recenze] František Šmahel.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public