Studie Evy Myslivcové se zabývá vlivem názorů filozofa a estetika Georga Wilhelma Friedricha Heugela v hudebně-teoretickém díle Moritze Hauptmanna "Die Natur der Harmonik und der Metrik" z roku 1853., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 229, anglický abstrakt na s. 221.
The new topics in the spheres of science and/or technology policy, i. e. the knowledge management, was influenced by problems connected with great and complicated technological projects. The paper presents the main motives and sources of knowledge management, of qualified use and application of knowledge, especially the selection and integration of adequate data and knowledge, the selection of relevant knowledge sets and their integration. and Ladislav Tondl.
The work tackles the question of wheter, and in what sense, Patočka's phenomenology is first philosophy and strict science. It does this by considering the problem ot the relationship of phenomenology, as a doctrine about appearing, to epistomology and to ontology. After an analysis of the conceptation of phenomenology which Patočka works with his dissertation and habilitation on the natural world, the study moves on to Patočka's late thinking, especially to the conception of an "asubjective phenomenology". The interpretation distinguishes various phenomenological approaches which are intertwined in the project of asubjective phenomenology, and its points to their weak points. Finally it identifies an acceptable conception of phenomenology in that which is presented in Patočka's lecture cycle Tělo, společenství, svět (Body, Community, Language, World). and Martin Ritter.
It is known that Miroslav Tyrš engaged intensively with philosophy, aesthetics and the history of creative art, even if his participation in the emergence of the sport and gymnastics organisation Sokol is more striking. In view of the fact that Tyrš’s work is an interesting symbiosis or eclecticism from several philosophical and aesthetic streams rather than a tight synthesis, I have attempted to point to one overlooked aspect of Tyrš’s work by stressing his affinity to the Czech aesthetic Herbartian tradition. Tyrš was a direct pupil of the eminent systematic Herbartian aesthetician Robert Zimmermann, and we can trace the influence of Zimmermann’s thought in Tyrš’s work, above all in the articles “Gymnastics from the Aesthetic Point of View” and “On the Laws of Composition in Creative Art”. Tyrš attempted to formulate the principles which every aesthetic creative aim should conform to, and he endeavoured to specificy the formal laws of compositional-construction in creative work, founded on empirical research. I treat it as demonstrable that this endeavour puts Tyrš in the tradition of concrete formalism, which is most prominently represented in Czech culture by Otakar Hostinský., Miloš Matúšek., and Obsahuje poznámky a bibliografii
Pavel Zahrádka’s anthology offers a choice of translated studies in aesthetics and provides (and to a certain extent also, naturally, creates) a picture of the contemporary state of such studies based on the character of interdisciplinary work. The collection, which is gathered into nine thematic sections, covers such key themes as philosophical aesthetics and questions of the recently instituted (copyright as a philosophical-aesthetic problem) or the resurrected (the aesthetics of nature). It presents a rich palette of approaches, methods and themes which makes up the field of contemporary aesthetic research. This review study offers a commentary on the overall concept of the collection in the context of analogous foreign publications and gives a résumé of individual thematic sections, while it focuses in detail on select parts of the anthology, which represent a relatively contemporary understanding of the traditional key problems of general aesthetics (ontology, definition and the value of art)., [autor recenze] Denis Ciporanov., and Obsahuje poznámky a bibliografii