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Start Over Subject 72/76 Subject iconography

1. Kutnohorská iluminace dobývání a zpracování stříbra: Reportáž z těžby, skupinový portrét či teologická metafora?

Creator:
Milada Studničková and Ivo Purš
Type:
article, články, model:article, and TEXT
Subject:
Výtvarné umění, dějiny umění, ikonografie, iluminace rukopisů, history of art, iconography, illumination of manuscripts, Kutná Hora (Česko), Kutná Hora (Czechia), 21, and 72/76
Language:
Czech
Description:
Milada Studničková, Ivo Purš.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

2. Stephan Kemperdick, Deutsche und Böhmische Gemälde 1230-1430. Gemäldegalerie Berlin. Kritischer Bestandkatalog

Creator:
Markéta Jarošová
Format:
print
Type:
model:article and TEXT
Subject:
Staatliche Museen zu Berlin (Německo), 13.-15. století, dějiny umění, německé malířství, ikonografie, katalogy umění, history of art, German painting, iconography, art catalogs, Berlín (Německo), 21, and 72/76
Language:
Czech
Description:
[autor recenze] Markéta Jarošová.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

3. Tišnovský tympanon. K rané úctě a ikonografii sv. Alžběty Durynské

Creator:
Jiří Doležel
Format:
print
Type:
model:article and TEXT
Subject:
svatá, Alžběta Durynská, 1207-1231, Porta coeli (klášter), 13. století, gotické sochařství, ikonografie, kult svatých, gothic sculpture, iconography, cult of saints, Tišnov (Česko), Tišnov (Czechia), tišnovský tympanon, Tišnov tympanum, 21, and 72/76
Language:
Czech
Description:
The study newly identifies a woman depicted in relief on a sandstone tympanum, walled-in secondarily in building Reg. No. 72 in Tišnov in Moravia. The tympanum can be assigned to the second half of the 1230s or to the 1240s, with its vegetable décor matching in detail a similar motif on the well-known western portal of the church of the Cistercian convent at Porta Coeli at Tišnov. Characteristic features establish the woman as being Saint Elisabeth of Thuringia (1207-1231), a major person in European spirituality of the 13th C., canonised in 1235. This is, then, evidence of very early reception of the new saint in the Czech Lands, clearly inspired by tight dynastic ties: the Czech queen - widow Constance of Hungary, who founded the Porta Coeli convent in 1232, was Elisabeth’s aunt by bloodline. The sculpture is at the same time one of the very oldest artistic depiction of Saint Elisabeth in the European context, with typical accent on the saint’s tight ties to the ideals of Saint Francis of Assisi. Nevertheless, we do not yet know the original location of the tympanum, but apart from the site of Porta Coeli itself the parish church of Saint Wenceslas at Tišnov does fall into consideration. and Jiří Doležel.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public