Studie se zabývá písňovými kompozicemi československého židovského skladatele Viktora Ullmanna z let 1937 - 1942., Kateřina Riethofová., Rubrika: Studie, and Anglické resumé na s. 405, anglický abstrakt na s. 385
Creating a scientific and educational forum for students, scientists and other professionals to learn about, to share, to contribute to, and to advance the state of knowledge in its field of science is the aim of the Organization for Computational Neuroscience, which staged its annual meeting in Prague in July 18-23, 2015, co-organized by the CAS Institute of Physiology and the Charles University. Keynote speakers at the CNS 2015 Prague: Jack Cowan, Wulfram Gerstner and its president Astrid Prinz gave interviews to the Academic Bulletin, in which they highlighted the both the new findings and main open questions in computational neuroscience. This field combines mathematical analyses and computer simulations with experimental neuroscience to develop a principled understanding of the workings of the nervous systems and apply it in a wide range of technologies. Increasingly studies emphasize the circuitry and network function in the brain. Investigations are focused on the changes of the functional and anatomical features in a healthy brain as compared to dysfunctional brain states; thus, studies of the healthy brain provide insights into brain dysfunction, while observations of dysfunctional brain states give clues to normal brain functioning. This workshop explored computation in both the healthy and dysfunctional brain to uncover what each state might reveal about the other. and Jana Olivová.
There are many uncertainties about the production and dissemination of vocal polyphony manuscripts from Prague illuminators’ and scribes’ ateliers compared with the dissemination of monophonic vocal manuscripts. The only known “workshop” producing manuscripts with primarily polyphonic music is the one led by Master Jan Kantor Starý († 1582) in Prague’s New Town. However, the number of surviving manuscripts suggests that more “workshops” might have existed in Prague at the turn of the 16th and 17th centuries. The goal of this study is to ascertain if there were any other ateliers in Prague producing vocal polyphony manuscripts during the analysed period. The findings are based on recent palaeographic and codicological analyses of the selected group of polyphonic sources written by identical scribal hands: Kutná Hora Codex from 1593 (Czech Museum of Music, Prague), Trubka’s Gradual from 1604 (Prague City Archives, Prague), the Partbook of the St. Barbara Literary Brotherhood in Přeštice from 1619 (National Library of the Czech Republic, Prague) and a bifolio from an unknown partbook in the Gradual of the St. Castulus Church from 1580 (Library of the Archbishop’s Chateau, Kroměříž). The comparison of the analysed scribal hands indicates the existence of an atelier that was probably from the milieu of the royal court. Systematic inquiries into the professional production of polyphonic manuscripts should thus continue because that is the only way to better and fully understand the musical culture of the Czech lands during the Renaissance., Natálie Krátká., Obsahuje bibliografické odkazy, and Jan Pulkrábek [překladatel]
KČSN (sg. S-O) and Výstavu pod záštitou rady král. hlavního města Prahy, uspořádalo Městké museum pražské za pomoci zvláštního pracovního výboru Staroměstské radnice