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2. Collage as the Principle of Mythological Thinking and Postmodern Music
- Creator:
- David Kozel
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- hudební estetika, musical aesthetics, hudební kompozice, composition (music), mytologie, mythology, 78.01, 78.02, 25, and (048.8)
- Language:
- Czech
- Description:
- Studie Davida Kozla je věnována formě hudební koláže ve vztahu k princpipu mytologického myšlení, stejně jako jejího použití v postmoderní hudební tvorbě., The term neo-mythologism can be used as an interpretative approach to reflect the new 20th-century music paradigm, which helps to explain changes in the understanding of basic structural elements of myth and music. The study identifies certain possible correlations between mythological thinking and music by analysing the concept of collage (bricolage). The underlying theoretical concept employed is Claude Lévi-Strauss’ structural anthropology as proposed in La Pensée Sauvage (1962). Collage is viewed as a manifestation of neo-mythologism and as a narrative in the postmodern musical discourse, which is accompanied by changes in the understanding of the essence of the musical matter and compositional techniques of composers. The compositional treatment of several different layers of the musical structure within a musical collage with a view to conveying a new meaning is in principle akin to how meaning is generated in mythological thinking through the combination of various materials., David Kozel., Rubrika: Studie, and České resumé na s. 192, anglický abstrakt na s. 181.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
3. Martin Flašar: Poéme electronique 1958. Le Corbusier - E. Varése - I. Xenakis
- Creator:
- Michal Rataj
- Format:
- Type:
- article, recenze, reviews, model:article, and TEXT
- Subject:
- Le Corbusier, 1887-1965, Varèse, Edgard, 1883-1965, Xenakis, Iannis, 1922-2001, 20. století, elektronická hudba, hudební kompozice, hudební skladatelé, muzikologie, composers, musicology, 78.01, 78.071.1, (0:82-95), 789.983, and 78.02
- Language:
- Czech
- Description:
- Michal Rataj. and Rubrika: Recenze
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Polystylovost a koláž v české hudbě 2. poloviny 20. století: (teorie, publicistika a recepce skladatelské tvorby v letech 1960-2000)
- Creator:
- Škarda, Robert
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- 1951-2000, hudební kompozice, hudební publicistika, hudební styly, hudební teorie, muzikologie, recepce hudby, composition (music), music journalism, music styles, music theory, musicology, reception of music, Česko, Czechia, 78.01, |78.03, 78.02, 781, 78:070.4, 78.073, and (048.8)
- Language:
- Czech
- Description:
- Studie Roberta Škardy se zabývá tvorbou českých skladatelů, využívajících ve svých kompozicích polystylovost a koláž, stejně jako teoretickými aspekty takového typu děl a jejich reflexí v odborných časopisech., The topic of this study is the music of Czech composers based mainly on the juxtaposition of styles, stylizations of historical or jazz music, and the use of quotations in the years between 1960 and 2000. It deals with reconstruction of the meanings of the period musical terms polystylism and collage, and it maps out the use of these terms in the reception of this music at the time and in the compositional theory and practice of Czech musical culture during that forty-year period. The main sources for the analysis of terms were reviews, articles, and scholarly studies in music journals along with the contemporary statements of the composers themselves at the time and at the present. In that context, the study follows the leading representatives from among composers and critics, derives the meanings of the terms polystylism and collage, and places them in the context of Czech music of that period. As an example of a specific composition reflected upon in the context of polystylism and collage and exhibiting a number of elements typical of this compositional orientation, the study contains an analysis of the composition Útěk (The Flight) written by Arnošt Parsch in 1973., Robert Škarda., Rubrika: Studie, and Anglické resumé na s. 199, anglický abstrakt 169.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public