Studie Vojtěcha Kyase se analyticky zabývá originálním zpracováním částí mešního textu Gloria, konkrétně Domine Deus a Agnus Dei, v mši Es dur, D 950, hudebního skladatele Franze Schuberta, This study focuses on the question of Schubert’s handling of the Mass text in the Gloria of his Mass in E-Flat Major, D 950. Schubert adapts the text of the Mass to his compositional and conceptual intent. Contrary to usual practice during that period, he joins the section Domine Deus, Agnus Dei together with the qui tollis peccata mundi into a single unit, attempts to make it sound as dramatic as possible, and understands it as a breaking point. This extensive musical passage of 86 measures differs from the surrounding music with its own tempo, meter, and tonal center. At the conclusion of the article, the author also makes reference to the importance of so-called historical concerts held at the home of the music historian R. G. Kiesewetter, which Schubert appears to have attended already before the year 1820., Vojtěch Kyas., Rubrika: Studie, and České resumé na s. 138, anglický abstrakt 131.
Studie Klause Dögeho obsahuje analytické poznámky ke kompozici hudebního skladatele Bohuslava Martinů, věnovanému památce vyhlazení Lidic., In his Memorial to Lidice (composed in the summer of 1943) Martinů pays tribute to the complete extinction of the Czech village Lidice and its inhabitants by the Nazis. In the composition he uses – as he has never done before in this way – many traditional idioms and quotation-like elements in order to express all the sadness, fright and pain of his subject., Klaus Döge., Rubrika: Studie, and Německé resumé na s. 18, anglický abstrakt 5.