The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
V článku je zdůrazněn rozhodující význam školy moderní fyziologie rostlin založené Juliem Sachsem, který byl uveden do experimentálních metod fyziologie Janem Evangelistou Purkyněm jako jeho asistent v Praze. Dále jsou krátce charakterizováni nejdůležitější Sachsovi žáci z jeho rozhodujícího období působení na univerzitě ve Würzburgu a je zdůrazněno trvající působení Sachsových myšlenek až do současného období studia biologie rostlin., The decisive importance of the school of modern plant physiology established by Julius Sachs, who was introduced to the experimental methods of physiology by Jan Evangelista Purkyně as his assistant in Prague, is underscored in this article. The most important disciples of Julius Sachs as a professor in Würzburg are portrayed and the lasting influence of Sachs´s ideas on plant biology is described., Dieter Volkmann., and 5 il.
This study is dedicated to the role of Czech musicians in the shaping of the modern musical culture of Bosnia and Herzegovina. The discontinuity of development there is a consequence of the countrys complicated political history after centuries under Ottoman rule, its annexation by Austria-Hungary (1878) was a major turning point for all spheres of society. Bosnian-Herzegovinian musical culture was also shaped by the influence of West-European music and of musicians from Europe, among whom the Czechs were the most numerous. On the basis of extensive archival research and work with literature, the author provides a comprehensive overview of their amateur and professional activities, paying attention in particular to musicians in military orchestras, and she also investigates their work in the areas of pedagogy, composition, and folkloristics., Fatima Hadžić., Obsahuje seznam literatury, and Anglické resumé na s. 143.
Women constituted in the textile centers like Frýdek or Místek an important part of the workforce, because they at the same time worked in the textile manufactures and factories and in the domestic service. The percentage of economically active women was in the second half of the nineteeth century, according to the current knowledge, almost 40 % of the whole female population in both towns. On the basis of the statistical data of Austrian provenance, as well as the excerpts from Austrian censuse, it is possible to ascertain the percentage of women employed in various economic sectors and types of professions and compare these percentages in time, that is, follow up with the impact of industrialization on the transformations of economic activities of women. and Radek Lipovski.
The article presents a manuscript collection of texts of evangelical provenance that has recently been purchased in a German second-hand bookshop. According to a chronogram, this manuscript is likely to come from 1840. The manuscript consists of fifteen relatively independent text sections thematically related to the denominational controversies before and after the battle of White Mountain. The paper examines possible printed or manuscript models of individual parts and as well as their reflection in both earlier and more recent bibliographic literature. and David Mach.
This study offers a revised classification of the movements involved in Teréza Nováková’s work, with specific reference to the novel Děti čistého živého (Children of Pure Living Spirit). Reference is made to the literary-historical and period metanarrative, emphasizing the presence of the ideal in the author’s work, which, however, was somewhat sidelined in the historical context, so that with the passage of time, Nováková was categorized under documentary realism. In the context of recent literary-history debates over the term ideal realism, and making use of the reception at that time, we demonstrate the stylization techniques Nováková used to construct, through her acknowledged work with oral and written documents, a text referring to the idea of nation-building based on culturally accepted paradigms.
Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.