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42. Gender in banking and mortgage behavior
- Creator:
- Jurajda, Štěpán and Janhuba, Radek
- Publisher:
- CERGE-EI
- Format:
- electronic, bez média, svazek, and 12 stran.
- Type:
- model:monograph and TEXT
- Subject:
- Finance, 2011-2020, 2013-2014, hypoteční úvěry, finanční poradci, finanční poradkyně, gender, mortgage loans, financial advisers, women financial advisers, Česko, Czechia, 336.77, [336.7:659.23]-051, [336.7:659.23]-055.2, 316.66-055.1/.3, (437.3), (048.8), 4, and 336.7
- Language:
- English and Czech
- Description:
- Štěpán Jurajda, Radek Janhuba., Obsahuje bibliografii a bibliografické odkazy., and České a anglické resumé
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
43. Giulio Cesare in Egitto am Wiener Kärntnertortheater im Jahre 1731: Ein Beitag zur Rezeption der Werke von G. F. Händel in der Habsburgermonarchie in der 1. Hälfte des 18. Jahrhunderts
- Creator:
- Jana Perutková
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- Händel, Georg Friedrich, 1685-1759, 1701-1750, dějiny hudby, dějiny opery, hudební skladatelé, muzikologie, recepce hudby, composers, history of music, musicology, reception of music, Vídeň (Rakousko), Vienna (Austria), 78.01, 78.071.1, 78(091), 782(091), 78.073, and (048.8)
- Language:
- Czech
- Description:
- Studie Jany Perutkové se zabývá provedením opery "Giulio Cesare in Egitto" od hudebního skladatele Georga Friedricha Händela v divadle U Korutanské brány v císařském hlavním městě Vídni a též širší recepci Händelovy hudby v habsburském soustátí v uvedeném časovém období., The goal of the study is to present certain Händel sources that are unknown or have not yet been researched and to investigate the connection of those sources with the capital city of the Habsburg Monarchy, Vienna. At the center of attention is a performance of a pasticcio of Giulio Cesare in Egitto at the Theater am Kärntnertor in Vienna (Kärntnertortheater) in 1731. The study introduces the printed libretto, which has heretofore been regarded as lost, as well as the score of the work that L. Bennett first brought to light. The rediscovery of the libretto has made possible the comparison of these two sources. Also brought to attention is a copy of a collection of arias from this pasticcio that is held in Bratislava. There is furthermore presentation of certain possibilities regarding the identity of the probable compiler of the pasticcio, the composer Francesco Rinaldi, whose three extant operas premiered in Vienna date from the years 1730–1732. Reference is made in the study to the increased interest in Händel’s works in Vienna around the year 1730, and in connection therewith, reference is also made to a Viennese copy of his opera Admeto, which is kept in Meiningen. The study also asserts that at least one of the scores of Händel’s Agrippina held in the Musiksammlung der Österreichischen Nationalbibliothek had been the property of Count Johann Adam von Questenberg., Jana Perutková., Rubrika: Studie, and České resumé na s. 121, anglický abstarkt na s. 95.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
44. Hobojista Arnošt König a jeho působení v pražském hudebním životě
- Creator:
- Petra Kolátorová
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- König, Arnošt, 1838-1915, 1851-1914, dějiny hudby, hobojisté, hudebníci, muzikologie, history of music, musicians, musicology, oboe players, Čechy (Česko), Bohemia (Czechia), 78.01, 788.8.071.2, 78.071.1/.2, 78(091), and (048.8)
- Language:
- Czech
- Description:
- Studie Petry Kolátorové se zabývá osobností hobojisty Arnošta (Ernsta) Königa (1838-1915), významného hudebníka pražského hudebního života druhé poloviny 19. století., This contribution maps the activity of Arnošt König (1838–1915), an oboist of German origin, primarily in Prague’s musical life at the time. During the years 1870–1913, A. König was the professor of oboe at the Prague Conservatory, and from 1876 he was an oboist at the Prague Provisional Theatre and then at the National Theatre. Reviews and articles from the period show what an exceptional musician he was, as he earned recognition even beyond Bohemia. Many mentions praising him in the press have been preserved in connection with the difficulty for performers of Dvořák’s Serenade in D Minor, op. 44, in which A. König excelled repeatedly. It can be documented at least twice from Dvořák’s extant correspondence that performances elsewhere of the Serenade were cancelled because of its difficulty. Together with the aforementioned reviews, this fact shows that in Prague Antonín Dvořák (and others) had exceptional conditions for musical performances., Petra Kolátorová., Rubrika: Studie, and Anglické resumé na s. 287, anglický abstrakt 267.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
45. Hospodářský rozkvět Uher
- Creator:
- Adámek, Karel
- Publisher:
- nákladem vlastním
- Format:
- print, text, regular print, bez média, svazek, and 112 stran ; 17 cm
- Type:
- model:monograph and TEXT
- Subject:
- Národní hospodářství a hospodářská politika, 19.-20. století, national economy, Hungary, 19th-20th centuries, Maďarsko, Economic conditions, 330.5+338, 338, (439), (048.8), 4, and UE01
- Language:
- Czech
- Description:
- Karel Adámek
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
46. How effective are reminders and frames in incentivizing blood donations?
- Creator:
- Vuletić, Danijela
- Publisher:
- CERGE-EI
- Format:
- electronic, bez média, svazek, and 36 stran
- Type:
- model:monograph and TEXT
- Subject:
- Sociální interakce. Sociální komunikace, dárcovství krve, motivace, sociální etika, terénní výzkum, blood donations, motivation (psychology), social ethics, field research, 347.472:612.11/.12, 316.628, 172, 303.442.23, (048.8), 18, and 316.4/.7
- Language:
- English and Czech
- Description:
- Danijela Vuletić., Obsahuje bibliografii a bibliografické odkazy, and České a anglické resumé
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
47. How stress affects performance and competitiveness across gender
- Creator:
- Cahlíková, Jana, Cingl, Lubomír, and Levely, Ian
- Publisher:
- CERGE-EI
- Format:
- electronic, bez média, svazek, and 51 stran : ilustrace, tabulky.
- Type:
- model:monograph and TEXT
- Subject:
- Psychologie, rovné postavení mužů a žen, stres (psychologie), stres (fyziologie), konkurence, pracovní výkon, psychologický výzkum, gender equality, stress (psychology), stress (physiology), competition, work performance, psychological research, 342.722, 159.913, 612.064, 005.332.4, 331.101.6, 159.9.07, (048.8), 17, and 159.9
- Language:
- English and Czech
- Description:
- Jana Cahlíková, Lubomír Cingl, Ian Levely., Částečně tištěno napříč, Obsahuje bibliografii a bibliografické odkazy, České a anglické resumé, and born digital
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
48. Hudba na českokrumlovském zámku v létě roku 1780: (den v životě Antonína Jünglinga, schwarzenberského hudebníka a úředníka)
- Creator:
- Martin Voříšek
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- 1780-1790, hudebníci, musicians, dějiny hudby, history of music, regionální dějiny, regional history, Český Krumlov (Česko), Český Krumlov (Czechia), zámecké kapely, Jüngling, Antonín, 78.071.1/.2, 78(091), 93/94-027.541, (437.319), and (048.8)
- Language:
- Czech
- Description:
- Studie Martina Voříška je věnována hudebnímu životu na zámku v Českém Krumlově v roce 1780. Autor jej sleduje prostřednictvím neobvyklé události. 12. srpna 1780 totiž byla vykradena knížecí pokladna, z níž se ztratilo více než 950 zlatých. V té době ji měl na starosti kancelista a dvorní hudební ředitel Antonín Jan Jüngling. Aby se zbavil z podezření, že byl pachatelem tohoto činu, vytvořil detailní soupis své denní činnosti, díky níž tak zcela mimoděk vznikl unikátní dokument reflektující činnost schwarzenberské kapely v té době. Výňatky z tohoto dokumentu, jež se týkají hudby, jsou citovány v příloze., The article is based on a lengthy report by Anton Johann Jüngling on his own activities on 12 August 1780; Jüngling was at the time the Schwarzenbergs’ music director and also a highly placed official. This unique historical source affords a very detailed look at Jüngling’s daily life as a person and a professional, and in combination with other sources, it also enables the creating of a quite detailed picture of the musical events at the Schwarzenberg court over a period of just under two weeks, when the Schwarzenbergs were staying in Český Krumlov with their guests. The musical activities included theatrical performances, a ball, a private concert with repertoire consisting of orchestral arrangements of music from singspiels currently being performed (Die schöne Schusterin and Die abgeredte Zauberey), and accompaniment for worship services. The study documents that the musicians at the princely court were able to secure the music for most of these occasions, and that they were supplemented or substituted for as needed by hired musicians from the town or the military., Martin Voříšek., Rubrika: Studie, and Anglické resumé na s. 141-142, anglický abstrakt na s. 117.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
49. Ideové základy občanského práva
- Creator:
- Svoboda, Emil
- Publisher:
- Vesmír
- Format:
- bez média, svazek, and 100 s.
- Type:
- model:monograph and TEXT
- Subject:
- občanské právo, teorie práva, právní formy, (048.8), 347, and 340.12
- Language:
- Czech
- Description:
- Emil Svoboda and Poznámka
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
50. In the Shadow of the Conservatoire: the Prague Organists College (1830-1889/1890)
- Creator:
- Michaela Freemanová
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- 19. století, dějiny hudby, hudební instituce a organizace, hudební školy, hudební život, muzikologie, history of music, music institutions, music schools, musical life, musicology, Praha (Česko), Prague (Czechia), 78.01, 373/378:78, 78:061.23, 78(091), 78-027.22, and (048.8)
- Language:
- Czech
- Description:
- Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public