This study offers a revised classification of the movements involved in Teréza Nováková’s work, with specific reference to the novel Děti čistého živého (Children of Pure Living Spirit). Reference is made to the literary-historical and period metanarrative, emphasizing the presence of the ideal in the author’s work, which, however, was somewhat sidelined in the historical context, so that with the passage of time, Nováková was categorized under documentary realism. In the context of recent literary-history debates over the term ideal realism, and making use of the reception at that time, we demonstrate the stylization techniques Nováková used to construct, through her acknowledged work with oral and written documents, a text referring to the idea of nation-building based on culturally accepted paradigms.
Ave verum corpus - zpěv po pozdvihování při mši Requiem, Zpěv při svátku Sv. Františka (Translationis et Inventionis ??) - úryvek žalmu 73:28, (Ownership) Provenience: neznámá CZ-CbJVK, and (Version Identification) bez značek CZ-CbJVK
Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.