During the reign of the empress Maria Theresa and in particular of her successor Joseph II, the Habsburg monarchy went through substantial changes. The state took control of parts of public life which had until then been independent. Besides arts, which started to be controlled through the state academy, architecture became the centre of attention. Architecture regulated by state was supposed to observe the so called architectura civilis (Bürgerliche Baukunst) the principles of which had been formulated by German and Austrian theoreticians and mathematicians in the second half of the 18 century. The main features typical for the architectura civilis were simplicity, practicality and economy, which suited the enlightened state. Architects and engineers with profound theoretical knowledge who were able to respond to a wide spectrum of assignments became important for the intentions of the state. Designers who did not make part of the guild structure and who had such wide competences that they could design architecture normally designed by engineers - fortifications, roads, and bridges were considered as ideal. This study focuses on the professional bibliography of two significant engineers working in the service of the estates and the state in Moravia at the last years of 18 century Johann Anton Krzoupal von Grünnenberg, and first Director of the Provincial Building Directorates in Brno Karl Jacobi von Eckholm., Michal Konečný., and Obsahuje bibliografické odkazy
From March 1848 through July 1849, the Habsburg Austrian Empire was threatened by revolutionary movements. Much of the revolutionary activity was of a nationalist character: the empire, ruled from Vienna, included Austrian Germans, Hungarians, Slovenes, Poles, Czechs, Slovaks, Ruthenians, Romanians, Serbs, Italians, and Croats, all of whom attempted in the course of the revolution to either achieve autonomy, independence, or even hegemony over other nationalities. and Milan Hlavačka.
This article discusses the Enlightenment concept of theatre as formulated in the work of the Viennese playwright Paul Weidmann, who was active in the reign of Joseph II (1765-90). In Weidmann’s conception, theatre has two main functions: one is to provide a theoretical basis (the idea of a national theatre; theatre as a school of moral educational); the second is to delineate a socio-historical context. The themes explored by Weidmann are civil war and wars of religion, and the question of how to level social differences - problems that still very much beset the modern world. In the face of current religious, political and economic conflicts, Weidmann’s stage plays still carry a powerful message., Joanna Giel., and Obsahuje bibliografické odkazy