Metabasic rocks of the Želešice type were one of the most intensively utilized raw materials used for the manufacture of Neolithic polished industry in the Middle Danube region. Primary sources are located in the Ophiolite Belt (formerly Metabasite Zone) of the Brno Batholith, approximately 5 km SW of Brno. All sites represent secondary workshops that are not located at the outcrops. Quarrying at the outcrops has not been directly confirmed for this period. The focus of this work is a complex description of a unique primary workshop recently discovered nearby primary outcrops. Recently obtained data has revealed new information about the lithic operational stages, morphology, dimensions and procurement of the raw material. Petrographic analysis reveals several subvarieties of metabasic rocks which were utilized to different degrees. Another goal of this work is to add to the debate regarding terminology of workshop sites., Jaroslav Bartík, Lukáš Krmíček, Tereza Rychtaříková, Petr Škrdla., and Obsahuje seznam literatury
Taphonomic, paleopathological, and paleodemographic analyses of human remains from the Mid Upper Paleolithic of western Eurasia are increasingly documenting a diversity of mortuary behaviors among these successful Late Pleistocene foragers. These considerations are joined by three associated pairs of otherwise isolated appendicular remains from the site of Pavlov I (the Pavlov 31 partial hands and the Pavlov 37 and 38 tarsometatarsal skeletons), previously described morphologically but not assessed in terms of their taphonomy. They are described here with respect to their contexts and patterns of preservation to assess possible taphonomic and/or mortuary implications of these sets of antimeres. Subchondral articular bone that is free of carbonate encrustation on at least the Pavlov 37 pedal remains suggests some degree of articulation in situ. Although root etched, the elements lack carnivore or other vertebrate damage, as well as cut marks. Even though associated unilateral hand or foot remains are unexceptional among the fur-bearing faunal remains, the bilateral presence of these human remains raises questions concerning the taphonomic and behavioral/ mortuary processes responsible for their preservation: do they represent portions of abandoned human bodies, remains of naturally disturbed burials, extremities left from secondary burials, and/or intentionally manipulated human body portions? Any combination of these processes expands current perceptions of the mortuary diversity among these early modern humans., Sandra Sázelová, Jarosław Wilczyński, Piotr Wojtal, Jiří Svoboda, Erik Trinkaus., and Obsahuje seznam literatury
A salvage excavation carried out in Hlinsko quarry in 2006 yielded a collection of Aurignacian-like artifacts supplemented by a bifacial triangular point. Recently, a refitting attempt documented on-site reduction of a carinated burin-core and shaping/thinning of the bifacial point. Subsequently, a use-wear study supported the homogeneity of the assemblage. The assemblage relates to the Morava-type Aurignacian (B. Klíma) or Míškovice-type Upper Paleolithic industry (M. Oliva) previously known in Moravia for lithic assemblages originating only from surface find spots. At the same time, some similar excavated Upper Paleolithic assemblages combining Aurignacian-like and Szeletian-like features are also known in Eastern Europe., Yuri E. Demidenko, Petr Škrdla, Joseba Rios-Garaizar., and Obsahuje seznam literatury
The article considers the writings of the sculptor Andreas Schweigl (1735-1812) and the painters Ignaz Chambrez (1758-1842) and Josef Heřman Agapit Gallaš (1756-1840). Around the year 1800, these three Moravian artists recorded their thoughts and insights in a number of texts that variously combined the traditional literary genre of artist’s biography with artistic topography, art criticism and a historical interpretation of early Moravian art and culture. Since all three were in some way connected with the new system of art education, the aim of this study is to examine whether and in what way standardized education affected not only their professional careers, but also their thinking. For all three, that thinking was rooted in a historical interpretation of the early art and culture of Moravia. All three discuss the function of art, artistic ideals, and to some extent the concept of the creative genius, as well as reflecting, directly or indirectly, on the theme of decadence as one stage in the cyclical view of history, in line with the paradigm of the age. The author sets out to compare their texts and in general terms show 1) how artists themselves viewed the importance of art education at the end of the 18 century; 2) how they responded to the changing role of the artist in society; and 3) how they defined artistic ideals and the artist’s social purpose. It is the wider implications of these changes in the artist’s social status, and in the function of art in Moravia and Central Europe generally, that form the primary focus of this study., Pavel Suchánek., and Obsahuje bibliografické odkazy
Thirteen deniers and obols from the 10th-12th centuries and one Roman coin were discovered at Staré zámky hillfort. The coins were from the time of Czech prince Boleslav II., king Vladislav II. and three Hungarian kings from the 11th and 12th centuries. The collection consists of several fake (imitation) deniers from the end of the 10th century. In addition, two weights were found within the hillfort-area. This article focuses on the 10th century coins. An increasing number of fake denier finds suggests that these coins were probably minted in Moravia by the locals., Jan Videman., Německé resumé., and Obsahuje seznam literatury