The authors treat a manuscript missal unknown to this day by experts, which is housed at the Scientific Library in Olomouc (M III 106). After having analysed the manuscript in the line of codicology (Š. Kohout), history of arts (J. Hrbačova), and musicology (S. Červenka), they conclude that this codex was intended for the needs of the Benedictine Convent in Opatovice nad Labem. It was created shortly after the year 1354, its illuminations are the work of a Prague workshop associated with the court of King Charles IV, which participated in the production of a series of exclusive manuscripts, e. g. Liber viaticus of the Bishop Johannes Noviforensis. The Viaticus and the missal of Opatovice are on the same line in terms of decoration. The missal was probably ordered by the then Benedictine Abbot Neplach who maintained frequent official contacts with the Bishop occupying the office of chancellor to Charles IV.
The authors treat a manuscript missal unknown to this day by experts, which is housed at the Scientific Library in Olomouc (M III 106). After having analysed the manuscript in the line of codicology (Š. Kohout), history of arts (J. Hrbačova), and musicology (S. Červenka), they conclude that this codex was intended for the needs of the Benedictine Convent in Opatovice nad Labem. It was created shortly after the year 1354, its illuminations are the work of a Prague workshop associated with the court of King Charles IV, which participated in the production of a series of exclusive manuscripts, e. g. Liber viaticus of the Bishop Johannes Noviforensis. The Viaticus and the missal of Opatovice are on the same line in terms of decoration. The missal was probably ordered by the then Benedictine Abbot Neplach who maintained frequent official contacts with the Bishop occupying the office of chancellor to Charles IV.
Morpho-anatomical leaf traits and photosynthetic activity of two alpine herbs, Podophyllum hexandrum (shade-tolerant) and Rheum emodi (light-requiring), were studied under field (PAR>2 000 µmol m-2 s-1) and greenhouse (PAR 500 µmol m-2 s-1) conditions. Mesophyll thickness, surface area of mesophyll cells facing intercellular spaces (Smes), surface area of chloroplasts facing intercellular spaces (Sc), intercellular spaces of mesophyll cells (porosity), photon-saturated rate of photosynthesis per unit leaf area (PNmax), and ribulose-1,5-bisphosphate carboxylase/oxygenase activity decreased in the greenhouse with respect to the field and the decreases were significantly higher in R. emodi than in P. hexandrum. P. hexandrum had lower intercellular CO2 concentration than R. emodi under both irradiances. The differences in acclimation of the two alpine herbs to low irradiance were due to their highly unlikely changes in leaf morphology, anatomy, and PNmax which indicated that the difference in radiant energy requirement related to leaf acclimation had greater impact under low than high irradiance. and S. Pandey, N. Kumar, R. Kushwaha.
This article focuses on narrative sources for the town histories which are part of the Manuscript collection of the National Museum in Prague. It refers to Early Modern Times historiographic works coming from the following towns: České Budějovice, Horní Blatná, Cheb, Jáchymov, Klatovy, Plzeň, Prachatice, Sedlčany, Vysoké Mýto, and Trutnov.
This article focuses on narrative sources for the town histories which are part of the Manuscript collection of the National Museum in Prague. It refers to Early Modern Times historiographic works coming from the following towns: České Budějovice, Horní Blatná, Cheb, Jáchymov, Klatovy, Plzeň, Prachatice, Sedlčany, Vysoké Mýto, and Trutnov.
The DF III 1 Strahov Manuscript, which preserves the only version of the Vincencius and Jarloch chronicle, has a rich and not too happy history behind it. For a long time it was housed in the Prague Chapter Library, from which it was lost under mysterious circumstances sometime before 1764. It was not discovered again until 1826 by Josef Dietrich, curate at Postoloprty, who donated it to Josef Dobrovský. Dobrovský used it for his edition of what is known as the Ansbert Chronicle and then donated it to the Strahov Monastery Library. If we follow the fortunes of the Codex before its disappearance from the Chapter Library, we find that this evidently happened "thanks" to Václav Prokop Duchovský, Secretary to the Archbishop's Consistory, who did not return the borrowed manuscript to its original place, and kept this fact from Gelasius Dobner, who was looking for the Codex in the library a year later in order to compile an edition of both chronicles. The motive for this behaviour was evidently their mutual poor relations due to Dobner's criticism of Hájek's Chronicle.
The DF III 1 Strahov Manuscript, which preserves the only version of the Vincencius and Jarloch chronicle, has a rich and not too happy history behind it. For a long time it was housed in the Prague Chapter Library, from which it was lost under mysterious circumstances sometime before 1764. It was not discovered again until 1826 by Josef Dietrich, curate at Postoloprty, who donated it to Josef Dobrovský. Dobrovský used it for his edition of what is known as the Ansbert Chronicle and then donated it to the Strahov Monastery Library. If we follow the fortunes of the Codex before its disappearance from the Chapter Library, we find that this evidently happened "thanks" to Václav Prokop Duchovský, Secretary to the Archbishop's Consistory, who did not return the borrowed manuscript to its original place, and kept this fact from Gelasius Dobner, who was looking for the Codex in the library a year later in order to compile an edition of both chronicles. The motive for this behaviour was evidently their mutual poor relations due to Dobner's criticism of Hájek's Chronicle.
The article brings brief information about the elementary manuscript holdings of the Paris National Library focusing on the occurrence of albums, especially those containing entries connected with Bohemia. As well as a series of albums belonging to foreigners who travelled to Bohemia or were given entries by Czech students on their sojourns abroad, the collection houses a rather exceptional manuscript – the album of Frederick V. The voluminous manuscript in sumptuous binding, the copy of which was gained by the National Museum Library, is worth a more detailed investigation in international context too. The study of the albums focused on finding out Latin occasional poetry connected with Bohemia, but its results are rather poor.
The subject of this paper is a typological classification of the acanthus ornamentation of the Czech manuscripts from the 14th – 15th centuries. The definition of the four types of Czech acanthus ornaments is studied in relation to their genesis and their sources in the illumination in Bohemia, Italy and Western Europe. The ornamentation of the manuscripts of the followed period is confronted with its resources and parallels in the contemporary sculpture and applied arts. The modifications of the types of acanthus is followed in the context of the relations of the Prague workshops with the regional production in the Czech Lands and also from the standpoint of their possible influence on the evolvement of acanthus ornament in the illumination of the Western and Central Europe of the 15 and early 16th centuries. The paper deals also with the possibilities of the content interpretation of the ornament decoration of the Medieval manuscripts and offers other questions and problems to be solved in the further study of this theme.
The subject of this paper is a typological classification of the acanthus ornamentation of the Czech manuscripts from the 14th – 15th centuries. The definition of the four types of Czech acanthus ornaments is studied in relation to their genesis and their sources in the illumination in Bohemia, Italy and Western Europe. The ornamentation of the manuscripts of the followed period is confronted with its resources and parallels in the contemporary sculpture and applied arts. The modifications of the types of acanthus is followed in the context of the relations of the Prague workshops with the regional production in the Czech Lands and also from the standpoint of their possible influence on the evolvement of acanthus ornament in the illumination of the Western and Central Europe of the 15 and early 16th centuries. The paper deals also with the possibilities of the content interpretation of the ornament decoration of the Medieval manuscripts and offers other questions and problems to be solved in the further study of this theme.