By a detailed analysis of decoration and collation of this manuscript it was found out that three principal masters participated in its decoration. The top quality of the decoration can be found in the work of the first master continuing the Byzantine, Venetian, and Saxon-Thuringian creation. The second master uses the first master´s work. The work of the third master is quite different as it is connected with original Bohemian production – with the Mater verborum manuscript. This different quality of illuminations allows to suppose that the codex originated in a scriptorium acting somewhere in Bohemia and employing a number of artists and their helpmates.
By a detailed analysis of decoration and collation of this manuscript it was found out that three principal masters participated in its decoration. The top quality of the decoration can be found in the work of the first master continuing the Byzantine, Venetian, and Saxon-Thuringian creation. The second master uses the first master´s work. The work of the third master is quite different as it is connected with original Bohemian production – with the Mater verborum manuscript. This different quality of illuminations allows to suppose that the codex originated in a scriptorium acting somewhere in Bohemia and employing a number of artists and their helpmates.
On the basis of the formal and iconographical analysis, after evaluation of the existing literature and taking in consideration hypothetical cultural historical circumstances of the creation of the manuscript, the author of the paper suggests to consider the manuscript a Bolognese school product – from the style group dating to the turning of 1320s and 1330s (in connection with Master from 1328 and his circle and with ties to painters active before Vitale da Bologna, as a point of departure for further development in Val Padana and in Veneto) and supposes that the cardinal Bertrand du Pojet might be a receiver of the manuscript. Dating is shift ed between 1331–1333 on the basis of the research results and on connections with the historical activities of the Luxembourg dynasty members in Italy in that time.
On the basis of the formal and iconographical analysis, after evaluation of the existing literature and taking in consideration hypothetical cultural historical circumstances of the creation of the manuscript, the author of the paper suggests to consider the manuscript a Bolognese school product – from the style group dating to the turning of 1320s and 1330s (in connection with Master from 1328 and his circle and with ties to painters active before Vitale da Bologna, as a point of departure for further development in Val Padana and in Veneto) and supposes that the cardinal Bertrand du Pojet might be a receiver of the manuscript. Dating is shift ed between 1331–1333 on the basis of the research results and on connections with the historical activities of the Luxembourg dynasty members in Italy in that time.
Václav Koranda the Younger (1422-1516) was a traditional Utraquist, who carried on the thinking and the struggle of the Rokycana era whereby the Church offered communion under both kinds. He never moved outside the world of ideas derived from his university education, but at the same time he was strongly influenced by the growing Hussite tradition, seeing the focus of the truth revealed by Christ in the chalice and in other peculiarities of the Utraquist church. The finding of the Krnov Bible moves our knowledge of Koranda's conception of Scripture and of his then common knowledge of biblical exegesis and work with traditional aids for interpreting the Bible. This enables us to conceive Koranda's work with Holy Scripture and his understanding of the Bible as a whole through the interpretational key of "the eternal truth of Jesus Christ".
Th e author of this article speaks on the topic canon procedural law in Prague at the turn of 14th and 15th century. Th ere is tractate Processus iudiciarius secundum stilum Pragensem written by general vicar of Prague archbishop Nicolaus Puchnik in the 2nd half of the 80´s of 14th century. Th e main purpose of the article is paleographical, codicological and contentual analysis of all preserved manuscripts (13 pieces) of Processus and make fi liation diagram. High concern is focused on diff erences in personal and geographical names in manuscripts which are very important for providing origin and fi liation analysis. All these names and dates are highlited because the author considers them to be very important for provenance fi xing. Th ere are presented two fi liation diagrams. Th e article is attached by chart with chronological order of all manuscripts.
The author of this article speaks on the topic canon procedural law in Prague at the turn of 14th and 15th century. Th ere is tractate Processus iudiciarius secundum stilum Pragensem written by general vicar of Prague archbishop Nicolaus Puchnik in the 2nd half of the 80´s of 14th century. Th e main purpose of the article is paleographical, codicological and contentual analysis of all preserved manuscripts (13 pieces) of Processus and make fi liation diagram. High concern is focused on diff erences in personal and geographical names in manuscripts which are very important for providing origin and fi liation analysis. All these names and dates are highlited because the author considers them to be very important for provenance fi xing. Th ere are presented two fi liation diagrams. Th e article is attached by chart with chronological order of all manuscripts.
Pronuntiatio means the dictation of a complete work to several scribes for its dissemination amongst interested specialists, often university students. At Prague University a professor could dictate his interpretations of any book from the Faculty of Liberal Arts or have them dictated from his text by a qualified pronunciator. It is uncertain if the pronunciatio record in the manuscript can be considered to be a secure proof of authorship of the recorded work. A summary of previously ascertained reports leads to the conclusion that apart from the record of the treatise of M. Jan Rokycana De quinque prioribus sacramentis, no other designated pronuntiatio involved an author dictating his own work. It is evident that records of such pronunciatios are for the most part definitely not proof that an author has dictated his own work and that without further examination of the creation and content of a work they are not enough to establish authorship.
This article brings a codicological analysis of a manuscript belonging to the Carthusian monastery at Tržek near Litomyšl that was found by researching manuscripts relating to Bohemia and held by the Biblioteca Palatina Vaticana. Moreover, the author deals with other preserved manuscripts coming from this monastery and relating to other monasteries of the same order in Bohemia and Moravia in the Middle Ages. Attention is also paid to the destiny of Albert of Sternberg, the founder of the Carthusia.
This article brings a codicological analysis of a manuscript belonging to the Carthusian monastery at Tržek near Litomyšl that was found by researching manuscripts relating to Bohemia and held by the Biblioteca Palatina Vaticana. Moreover, the author deals with other preserved manuscripts coming from this monastery and relating to other monasteries of the same order in Bohemia and Moravia in the Middle Ages. Attention is also paid to the destiny of Albert of Sternberg, the founder of the Carthusia.