The paper examines the non/reception of gender equality as a legitimate topic of science policy in the Czech Republic. Despite much criticism from experts and research that shows that there are major problems with gender equality, state oicials and institutions remain resistant to the issue. he policies of inactivity are studied from the perspective of a constructivist policy analysis. he aim of the paper is to show how discursive practices of institutions and understandings of the issue constitute gender equality as something that is completely on the periphery of or even outside science itself. hus, logically, gender equality is pushed outside the remit of science policies. If gender equality is thematised at all, it is reduced to the issue of women in science. Such an understanding of gender equality signiicantly narrows down the space in which concrete political measures can be made, and determines which activities are acceptable and which are not., Hana Tenglerová., Poznámky, Obsahuje bibliografii, and Anglický abstrakt a klíčová slova
The paper focuses on the links between the doctrines taught by Joseph von Sonnenfels at the University of Vienna and his moral weekly Der Mann ohne Vorurtheil. The hypothesis that Sonnenfels uses his publication to divulge his academic findings to a wider public is supported by a comparison of his academic and literary works, and three of the many aspects are presented. Sonnenfels writes not only about moral issues but also about the ideal relationship between the state and its citizens, and he uses the moral weekly to express his ideas about the Viennese theatre and the way it should be censored. With regard to censorship there exist some differences between the theory defended by Sonnenfels and his personal experience as an author. In fact some pieces of his moral weekly got him in trouble and he was forbidden to address certai topics, such as the Church and the situation of the peasants. The most prevalent themae, however, is marriage and gender relations. According to his doctrines high ethical and educational standards as well as a high population keep a state safe from within and that leads Sonnenfels to concentrate on this issue., Magdalena Matzneller., and Obsahuje bibliografické odkazy
Polka and polkomanie in the Bohemia of the 1830' and 1840' was first a manifestation of the energy of the young dynamic bourgeoisie profiting from all features, which could help to build the national identity and finally result in the creation of the national state. The proofs of the Czech and popular origin of the polka came out at the same time. Many of them were soon considered just a speculation while others played an important role. The aim of the study is to investigate what was the particular reason why polka has always been considered a Czech national dance and what features were picked up from music and dance for building the identity or the national look. This approach involves principal questions such as: when did polka become the national symbol in Bohemia, how, for whom and why and what the concept of polka in Bohemia was when it started to be meaningful in the national movement? To answer these questions we have to look at some crucial facts which enable us to follow polka as a cultural text in different strata of the 19th century society in Bohemia and to identify its power. Polka considered as a myth has to be seen in the socio-cultural context and in ideological and political discourse. Its look of the Czech national symbol was created in symbolic level as a mental representation of the national circle of intellectuels and artists.