The Black Death plague constituted a major disruption of the ordinary pace of life of the society in early modern period. As such it attracted interest and drew attention. The Black Death menace caused panic and fear, and therefore various measures and actions which were supposed to prevent the outbreak of the plague or at least considerably limit its consequences were defined and carried out. Such practices were shaped by contemporary ideologies and mentalities and reflected everyday experience. The study of various means of dealing with the Black Death menace may be like looking in a mirror in which the curves of the quotidian lifestyle of the period are reflected. The present paper which analyses the last Black Death plague of 1713-1714 in the environment of a southBohemian town offers one such view. The mechanisms which the inhabitants of the regional capital Písek formulated and applied in the attempt to confront the iimpending Black Death menace, are specifically examined. The bearing of these mechanisms on contemporary devoutness is also problematized at the level of socalled semifolk discourse., Zdeněk Duda., and Obsahuje bibliografické odkazy
The scholarly attention paid to Anna Katharina SweertsSporck has so far focused on the phase of her youth when she was engaged in translating books chosen by her father count Franz Anton Sporck for publishing. The article explores her interest in the book culture in the later stage of her life after her forced entrance into marriage in 1712. Anna Katharina initiated a large program of publishing and spreading devotional literature. The project was realized in cooperation with the Servite friar Wilhelm M. Löhrer and it aimed to cultivate internal, affective piety as a newly appraised type of religiosity which was increasingly popular across the confessional boundaries in the eighteenth century., Veronika Čapská., and Obsahuje bibliografické odkazy
This study introduces an emblematic scheme within the stucco decoration of the Palace Chapel in Červené Poříčí. The given emblematic sheme glorifies the Most Sacred Heart of Jesus. It was inspired by the emblem book of the Bavarian theologian Anton Ginther, which was published in 1706. The article tries to place the programme of the decoration into the context of Middle European evolution of the devotion to the Most Sacred Heart of Jesus - a cult that was very popular at the time. Finally, the article places the decorative scheme into political and historical context and discusses the role its patron played in determining the decoration’s commission and execution., Daniela Štěrbová., and Obsahuje bibliografické odkazy