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142. Knowledge licensing in a model of R&D-driven endogenous growth
- Creator:
- Jerbashian, Vahagn
- Publisher:
- CERGE-EI
- Format:
- electronic, svazek, and 51 stran.
- Type:
- model:monograph and TEXT
- Subject:
- Ekonomie, výzkum a vývoj, ochrana duševního vlastnictví, ekonomický růst, research and development, intellectual property protection, economic development, 001.89, 347.77/.78, 330.35, 33-028.77, (048.8), 4, and 33
- Language:
- English and Czech
- Description:
- Vahagn Jerbashian., Obsahuje bibliografii a bibliografické odkazy., and České a anglické resumé
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
143. Koncepce liturgického roku v hymnologické činnosti Jana Augusty
- Creator:
- Eliška Baťová
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- Augusta, Jan, 1500-1572, 16. století, církevní rok, duchovní písně, hymnologie, muzikologie, church year, hymnology, musicology, sacred songs, Čechy (Česko), Bohemia (Czechia), 78.01, 783.6:781, 783.6, 27-564, and (048.8)
- Language:
- Czech
- Description:
- Studie Elišky Baťové se zabývá dosud nepříliš hodnocenou koncepcí liturgického roku v duchovních písních od biskupa Jednoty bratrské a teologa Jana Augusty., The goal of the present study is to bring together the questions of hymnological research with the history of the liturgy and homiletics. In the integrated liturgical conception of Jan Augusta as it is known to us thanks to two Viennese manuscripts and a newly processed, unique printed document from the Unity of the Brethren church, these areas cannot be separated, since they mutually support each other to create a whole. The author has therefore dedicated herself to the broader context of the creating of a new arrangement of Biblical readings and songs in the Unity of the Brethren church, regarding which there were disputes from its inception in 1545 until the deaths of Jan Blahoslav and of Jan Augusta in 1572., Eliška Baťová., Rubrika: Studie, and Anglické resumé na s. 43, anglický abstrakt 33.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
144. Konvolut tisků a rukopisů NM-CMH AZ 84 jako pramen k české hymnologii
- Creator:
- Dagmar Štefancová
- Format:
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- 16. století, dějiny hudby, hudební rukopisy, hymnologie, muzikologie, renesanční hudba, composers, hymnology, music manuscripts, musicology, renaissance music, Čechy (Česko), Bohemia (Czechia), (048.8), 78.01, 78(091), 78.034.3/.6, 091:78, and 783.6:781
- Language:
- Czech
- Description:
- Discantus and Altus part-books (sign. NM-CMH AZ 84) were made by the later binding of component parts consisting of four prints and five manuscripts from the 1540s through about the 1590s. For the first time, the professional community can familiarize itself with their external description and contents. Those contents consist predominantly of compositions intended for Vespers (Magnificat settings and hymns). Special attention is paid to two Magnificat settings Bohemian Christmas and Easter songs in the discant part. For each of the twelve songs, the oldest known incidences of their melody and text were identified, and transcriptions of the songs are also included. The discant part-book AZ 84 represents an indispensable source for the genesis of some of the songs (Všem věc divná, neslýchaná [To All Something Strange, Unheard-Of], Hory se zelenají [The Hills Turn Green], Plešíc již všecko stvoření [All Creation Now Rejoicing], Šalomúnovy postele šedesáte ostříhalo [Sixty Men around Solomons Bed]), Dagmar Štefancová., Rubrika: Studie, and Anglické resumé na s. 22.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
145. Krematorium v procesu sekularizace českých zemí 20. století: ideové, stavební a typologické proměny
- Creator:
- Svobodová, Markéta, Ústav dějin umění (Akademie věd ČR), and Novozámská, Martina
- Publisher:
- Artefactum
- Format:
- print and 182 s. : il., portréty, plány, faksim.
- Type:
- model:monograph and TEXT
- Subject:
- Architektura, 19.-20. století, 20. století, pohřební zvyky, kremace, sekularizace, krematoria, architektura, funeral rites and ceremonies, cremation, secularization, crematoriums, architecture, Česko, Czechia, 393, 393.2, 2-635-637-672, 726.83, 72, (437.3), (048.8), and 21
- Language:
- Czech and English
- Description:
- Markéta Svobodová., Obsahuje bibliografii, bibliografické odkazy a rejstříky., Anglické resumé., and Vydavatel: Ústav dějin umění AV ČR
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
146. Leoš Janáček a brněnské paměťové instituce
- Creator:
- Jarmila Procházková
- Format:
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- Janáček, Leoš, 1854-1928, hudební instituce a organizace, hudební skladatelé, muzikologie, composers, music institutions, musicology, Brno (Česko), 78.01, (048.8), 78.071.1, and 78:061.23
- Language:
- Czech
- Description:
- This study deals with the heretofore unknown activity of Leoš Janáček at the two main museum institutes in Brno. It asserts that from ca. 1888 until the end of his life, Leoš Janáček was a member of the Brno Museum Association, and it also makes reference to previously unknown sources from scholarly literature to which he had access as a member of the association. A surprising discovery is that the composers participation in the German-Czech Moravian Museum Society from 1900 was connected with the creation of the first collection of Moravian composers manuscripts (1903) and with an attempt to obtain financial support from the Provincial Committee for a printed edition of works by Moravian composers. We thus get a more complete picture of Janáčeks interactions and contacts in the environment of the Czech and German intellectuals who surrounded him and of the composers involvement in professional activities., Jarmila Procházková., Obsahuje seznam literatury, Rubrika: Studie, and Anglické resumé na s. 350.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
147. Life (dis)satisfaction and the decision to migrate: evidence from Central and Eastern Europe
- Creator:
- Otrachshenko, Vladimir, Popova, Olga, Kejak, Michal, Univerzita Karlova. Centrum pro ekonomický výzkum a doktorské studium, and Národohospodářský ústav (Akademie věd ČR)
- Publisher:
- CERGE-EI
- Format:
- electronic and 38 s. : il., tab.
- Type:
- model:monograph and TEXT
- Subject:
- Demografie. Populace, migrace obyvatelstva, kvalita života, Evropa střední a východní, 314.15, 316.728-021.465, (4-191.2)+(4-11), (048.8), 18, and 314
- Language:
- English and Czech
- Description:
- Vladimir Otrachshenko, Olga Popova., Obsahuje bibliografické odkazy., České resumé, and born digital
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
148. Limited liability, asset price bubbles and the credit cycle: the role of monetary policy
- Creator:
- Matějů, Jakub
- Publisher:
- CERGE-EI
- Format:
- electronic, svazek, and 34 stran
- Type:
- model:monograph and TEXT
- Subject:
- Finance, finanční trhy, riziko (ekonomie), měnová politika, modelování a simulace, financial market, risk (economic theory), monetary policy, modeling and simulation, 336.76, 330.131.7, 336.74:338.23, 519.86/.87, (048.8), 4, and 336.7
- Language:
- English and Czech
- Description:
- Jakub Matějů. and Český a anglický abstrakt
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
149. Listening for Stockhausen
- Creator:
- Marcus Zagorski
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Stockhausen, Karlheinz, 1928-2007, hudební díla, musical works, poslech hudby, music listening, hudební teorie, music theory, 78.08, 78.01, 781, and (048.8)
- Language:
- Czech
- Description:
- Studie Marcuse Zagorskiho je věnována dílu hudebního skladatele Karlheinze Stockhausena. Autor se však na něj zaměřuje z netradičního pohledu, protože zkoumá problematiku a způsob poslechu Stockhausenovy hudby., Karlheinz Stockhausen’s theory of listening reflected essential tenets of his creative practice and aesthetic inclinations. He outlined an admirably tolerant and accepting approach to listening and encouraged different listeners to generate different formal models to describe the same music. His method of listening thereby challenged the perceptual reconstruction of known, pre-existing forms that was so important to listening in the preceding 150 years, and this complemented his compositional challenge to another established aesthetic category – that of the closed musical work. By revealing this aesthetic background, this article shows the significance of Stockhausen’s thinking about listening., Marcus Zagorski., Rubrika: Studie, and České resumé na s. 201, anglický abstrakt na s. 193.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
150. Loans for better living: the role of informal collateral
- Creator:
- Kuvíková, Gabriela
- Publisher:
- CERGE-EI
- Format:
- electronic, bez média, svazek, and 42 stran
- Type:
- model:monograph and TEXT
- Subject:
- Finance, spotřebitelské úvěry, platební neschopnost, consumer credit, insolvency, 336.77.067, 347.736, (048.8), 4, and 336.7
- Language:
- English and Czech
- Description:
- Gabriela Kuvíková., Obsahuje bibliografii a bibliografické odkazy, and České a anglické resumé
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public