Language: Czech / Subject: (048.8) - LINDAT/CLARIAH-CZ Catalog Search Results

Start Over Language Czech Subject (048.8)

161. Gender unemployment gaps in the EU: blame the family

Creator:: Bičáková, Alena
Publisher:: CERGE-EI
Format:: electronic and 47 s. : il.
Type:: model:monograph and TEXT
Subject:: Práce, nezaměstnanost, muži a ženy, gender, unemployment, men and women, země Evropské unie, European Union countries, 331.56, 316.346.2, 316.66-055.1/.3, (4), (048.8), 4, and 331
Language:: English and Czech
Description:: Alena Bičáková., Obsahuje bibliografii a bibliografické odkazy, České resumé, and born digital
Rights:: http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

162. Generalized disappointment aversion, learning, and asset prices

Creator:: Babiak, Mykola
Publisher:: CERGE-EI
Format:: electronic, svazek, and 44 stran : ilustrace ; 21 cm.
Type:: model:monograph and TEXT
Subject:: Finance, akcie, finanční investování, modelování a simulace, stocks, financial investments, modeling and simulation, 336.763.2, 336.76, 519.86/.87, (048.8), 4, and 336.7
Language:: English and Czech
Description:: Mykola Babiak., Obsahuje bibliografii a bibliografické odkazy, and České a anglické resumé
Rights:: http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

163. Giulio Cesare in Egitto am Wiener Kärntnertortheater im Jahre 1731: Ein Beitag zur Rezeption der Werke von G. F. Händel in der Habsburgermonarchie in der 1. Hälfte des 18. Jahrhunderts

Creator:: Jana Perutková
Format:: print, bez média, and svazek
Type:: article, studie, studies, model:article, and TEXT
Subject:: Händel, Georg Friedrich, 1685-1759, 1701-1750, dějiny hudby, dějiny opery, hudební skladatelé, muzikologie, recepce hudby, composers, history of music, musicology, reception of music, Vídeň (Rakousko), Vienna (Austria), 78.01, 78.071.1, 78(091), 782(091), 78.073, and (048.8)
Language:: Czech
Description:: Studie Jany Perutkové se zabývá provedením opery "Giulio Cesare in Egitto" od hudebního skladatele Georga Friedricha Händela v divadle U Korutanské brány v císařském hlavním městě Vídni a též širší recepci Händelovy hudby v habsburském soustátí v uvedeném časovém období., The goal of the study is to present certain Händel sources that are unknown or have not yet been researched and to investigate the connection of those sources with the capital city of the Habsburg Monarchy, Vienna. At the center of attention is a performance of a pasticcio of Giulio Cesare in Egitto at the Theater am Kärntnertor in Vienna (Kärntnertortheater) in 1731. The study introduces the printed libretto, which has heretofore been regarded as lost, as well as the score of the work that L. Bennett first brought to light. The rediscovery of the libretto has made possible the comparison of these two sources. Also brought to attention is a copy of a collection of arias from this pasticcio that is held in Bratislava. There is furthermore presentation of certain possibilities regarding the identity of the probable compiler of the pasticcio, the composer Francesco Rinaldi, whose three extant operas premiered in Vienna date from the years 1730–1732. Reference is made in the study to the increased interest in Händel’s works in Vienna around the year 1730, and in connection therewith, reference is also made to a Viennese copy of his opera Admeto, which is kept in Meiningen. The study also asserts that at least one of the scores of Händel’s Agrippina held in the Musiksammlung der Österreichischen Nationalbibliothek had been the property of Count Johann Adam von Questenberg., Jana Perutková., Rubrika: Studie, and České resumé na s. 121, anglický abstarkt na s. 95.
Rights:: http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public