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1592. K plzeňské knižní kultuře
- Creator:
- Hejnic, Josef
- Format:
- electronic
- Type:
- model:article and TEXT
- Subject:
- Jan Václav Emerich, Museum of Western Bohemia in Pilsen, register of library, and Z665
- Language:
- Multiple languages
- Description:
- After a historic introduction the author deals with the manuscript of the Museum of Western Bohemia in Pilsen (5 MA 11). The manuscript entitled „Inventarium Bibliothecae Archidiaconatus Plsnensis“ came into being at the Pilsen archdean Jan Václav Emerich´s instance. Emerich wrote the book in part (ff . 51r, 54v) himself and in part (ff . 52r–54v) got an unknown scribe (X) to do so. Should an edition of the book be prepared, the complete text by the scribe (X) on ff . 52r–54v will be decisive. This scribe wrote – maybe by mistake.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1593. K plzeňské knižní kultuře
- Creator:
- Hejnic, Josef
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Jan Václav Emerich, Museum of Western Bohemia in Pilsen, and register of library
- Language:
- Multiple languages
- Description:
- After a historic introduction the author deals with the manuscript of the Museum of Western Bohemia in Pilsen (5 MA 11). The manuscript entitled „Inventarium Bibliothecae Archidiaconatus Plsnensis“ came into being at the Pilsen archdean Jan Václav Emerich´s instance. Emerich wrote the book in part (ff . 51r, 54v) himself and in part (ff . 52r–54v) got an unknown scribe (X) to do so. Should an edition of the book be prepared, the complete text by the scribe (X) on ff . 52r–54v will be decisive. This scribe wrote – maybe by mistake.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1594. K plzeňské knižní kultuře
- Creator:
- Hejnic, Josef
- Format:
- electronic
- Type:
- model:article and TEXT
- Subject:
- Jan Václav Emerich, Museum of Western Bohemia in Pilsen, register of library, and Z665
- Language:
- Multiple languages
- Description:
- After a historic introduction the author deals with the manuscript of the Museum of Western Bohemia in Pilsen (5 MA 11). The manuscript entitled „Inventarium Bibliothecae Archidiaconatus Plsnensis“ came into being at the Pilsen archdean Jan Václav Emerich´s instance. Emerich wrote the book in part (ff . 51r, 54v) himself and in part (ff . 52r–54v) got an unknown scribe (X) to do so. Should an edition of the book be prepared, the complete text by the scribe (X) on ff . 52r–54v will be decisive. This scribe wrote – maybe by mistake.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1595. K rukopisné tradici Rožmberské knihy
- Creator:
- Fiedlerová, Naďa
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Rosenberg book, manuscripts, Middle Ages, land law, and municipal law
- Language:
- Multiple languages
- Description:
- With the hindsight of over a century since the publication of the last edition of the Rosenberg book the author comes back to the idea of a new edition, which could not be brought about without a high-standard description of all preserved manuscripts. The present study is based on the author's study of Rosenberg book manuscripts, which is first presented in the light of previous older research, which highlighted four different ways to consider an edition of the Rosenberg book. The next section focuses on individual groups of manuscripts, which are characterized in greater detail in the light of the period in which they were written, attempting to date them more precisely on the basis of paleographic and codicological analysis. By identifying the composition it also attempts to determine the circle of users of individual legal colelctions. The study is concluded by a summary of the development trends that are evident in the Rosenberg book manuscript tradition and a final view of the future, which opens up new perspectives for further research.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
1596. K rukopisnému dochování Bonaventurova Breviloquia
- Creator:
- Hradilová, Marta
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Breviloquium, Bonaventura of Bagnoregio, and manuscripts
- Language:
- Multiple languages
- Description:
- This article deals with the manuscripts of Bonaventura´s Breviloquium held in Czech manuscript collections. The author compares data available from the list of these manuscripts in Opera omnia V (Quaracchi-Florentia 1891) with data from catalogues of individual manuscript collections to make the number of the manuscripts preserved in our libraries more accurate. He recommends the manuscripts themselves should be dealt with to obtain more precise data.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1597. K rukopisnému dochování Bonaventurova Breviloquia
- Creator:
- Hradilová, Marta
- Format:
- electronic
- Type:
- model:article and TEXT
- Subject:
- Breviloquium, Bonaventura of Bagnoregio, manuscripts, and D111
- Language:
- Multiple languages
- Description:
- This article deals with the manuscripts of Bonaventura´s Breviloquium held in Czech manuscript collections. The author compares data available from the list of these manuscripts in Opera omnia V (Quaracchi-Florentia 1891) with data from catalogues of individual manuscript collections to make the number of the manuscripts preserved in our libraries more accurate. He recommends the manuscripts themselves should be dealt with to obtain more precise data.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1598. K rukopisnému dochování Bonaventurova Breviloquia
- Creator:
- Hradilová, Marta
- Format:
- electronic
- Type:
- model:article and TEXT
- Subject:
- Breviloquium, Bonaventura of Bagnoregio, manuscripts, and D111
- Language:
- Multiple languages
- Description:
- This article deals with the manuscripts of Bonaventura´s Breviloquium held in Czech manuscript collections. The author compares data available from the list of these manuscripts in Opera omnia V (Quaracchi-Florentia 1891) with data from catalogues of individual manuscript collections to make the number of the manuscripts preserved in our libraries more accurate. He recommends the manuscripts themselves should be dealt with to obtain more precise data.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1599. K významu drolerií ve středověkých rukopisech
- Creator:
- Brodský, Pavel
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Drôleries, illuminated manuscripts, and Middle ages
- Language:
- Multiple languages
- Description:
- In the culminating and late middle ages funny scenes, the so called drôleries, appear in the borders of illuminated manuscripts. Th eir problems are not explained completely; they seem to contain hidden spiritual meanings. Besides singing birds, which are symbols of the unearthly sphere, fi gures appear most oft en who were taken as negative in middle-ages – owls, apes, beasts of prey, dragons, and clowns. Th e fi gures of antique mythology were perceived as negative too; the cults connected with them were perceived as demoniacism by the Christian society. Drôleries are usually placed in borders which are decorated with an acanth. Th e acanth in time became a symbol of victory over death. It can be also interpreted as Christ´s crown of thorns. In this way the spirit of medieval symbolism indicated that negative forces are driven to the margin and defeated by Christ´s victim.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
1600. K významu drolerií ve středověkých rukopisech
- Creator:
- Brodský, Pavel
- Format:
- electronic
- Type:
- model:article and TEXT
- Subject:
- drôleries, illuminated manuscripts, middle ages, and NX
- Language:
- Multiple languages
- Description:
- In the culminating and late middle ages funny scenes, the so called drôleries, appear in the borders of illuminated manuscripts. Th eir problems are not explained completely; they seem to contain hidden spiritual meanings. Besides singing birds, which are symbols of the unearthly sphere, fi gures appear most oft en who were taken as negative in middle-ages – owls, apes, beasts of prey, dragons, and clowns. Th e fi gures of antique mythology were perceived as negative too; the cults connected with them were perceived as demoniacism by the Christian society. Drôleries are usually placed in borders which are decorated with an acanth. Th e acanth in time became a symbol of victory over death. It can be also interpreted as Christ´s crown of thorns. In this way the spirit of medieval symbolism indicated that negative forces are driven to the margin and defeated by Christ´s victim.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public