Abbot of the Strahov Monastery Metod Zavoral in his study in a segment from Československý filmový týdeník (Czechoslovak Film Weekly Newsreel) 1932, issue no. 36.
Rough footage capturing both the mobilisation and the subsequent demobilisation of the Czechoslovak Army in 1938. The first part was shot on 23 September after the declaration of general mobilisation, and shows civilians as they are issued military uniforms. The second part shows the demobilisation authorised at the extraordinary meeting of the Ministerial Council on 6 October. Soldiers are shown in the barracks handing in their uniforms. An officer passes out certificates of praise for military service.
Trailer for Eva tropí hlouposti (Eva Fools Around, dir. Martin Frič, 1939). Actresses Nataša Gollová and Adina Mandlová in Šťastnou cestu (Happy Journey, dir. Otakar Vávra, 1943).
Actress and writer Olga Scheinpflugová on Bohumil Veselý's balcony. The wedding of Olga Scheinpflugová and Karel Čapek at Vinohrady Town Hall on 26 August 1935 in the presence Karel Scheinpflug and Julius Firt as witnesses. Olga Sheinpflugová with her husband Karel Čapek in the garden of their villa in Prague-Vinohrady. Sheinpflugová playing Sonya in a theatre adaptation of Dostoyevsky's novel Crime and Punishment in the Vinohrady Theatre in Prague.
The segment of Československý zvukový týdeník Aktualita (Czechoslovak Aktualita Sound Newsreel), 1938, issue no. 43 offers images from the newly established border between Czechoslovakia and Germany following the forced surrender of the border regions to Germany in September 1938. Czechoslovak soldiers are checking permits to cross the border. Vehicles with refugees are passing through the border gates.
The segment of Československý zvukový týdeník Aktualita (Czechoslovak Aktualita Sound Newsreel), 1938, issue no. 10 consists of a montage of archive film material created to mark the 88th anniversary of the birth of the late President Tomáš Garrique Masaryk.
Painter Ota Bubeníček in U svatého Antoníčka (St. Anthony's Fair, dir. Svatopluk Innemann, 1933). Bubeníček with two unidentified women in the garden. The artist in his studio. Bubeníček in his later years on Bohumil Veselý's balcony.