Studie Michaely Freemanové se zabývá působením pražské varhanické školy, která patřila k významným vzdělávacím institucím v čechách v 19. století., In the early decades of the 19th century, three important music institutions were founded in Prague – the Tonkünstler Wittwen-und-Waisen Societät, the Conservatoire and the Organists College, opened in 1830 by the Verein der Kunstfreunde für Kirchenmusik in Böhmen (the Society for Sacred Music in Bohemia, founded in 1826). The aim of the Society was to awaken an interest among the wider public in sacred music which, at that time, was neglected and in decline. The Organists College offered tuition to members of the Christian churches as well as to Jewish communities. During the one-year course, later extended to two, and subsequently to three years, the organists, and later also choirmasters, acquired a knowledge of harmony, counterpoint, figured bass, improvisation and composition, and also learnt how to perform sacred music. The school was attended by numerous outstanding musicians, from home and abroad, among them Antonín Dvořák and Leoš Janáček; in 1890, it merged with the Prague Conservatoire., Michaela Freenamová., Rubrika: Studie, and České resumé na s. 392, anglický abstrakt na s. 369.
Studie se zabývá pražskou verzí oratoria Leonarda Lea, do něhož pravděpodobně byla vložena dvě moteta jako árie, jejichž autorem byl Jan Dismas Zelenka., Michaela Freemanová - Janice B. Stockigt., Rubrika: Studie, and České resumé na s. 160, anglický abstrakt na s. 149
The aims of the article are to present the development and the degree of representation of individual languages in the Prague printed production of the 16th century and to confirm, or revise, the existing knowledge. The study is also an example of the possible use of the newly created virtual research tool formed within the Knihoveda.cz project. The search interface that is being prepared and is going to be presented to the public in 2020 i.a. provides access to the hitherto separate bibliographical databases Knihopis and Bibliografie cizojazyčných bohemikálních tisků 1501-1800 [Bibliography of Foreign-Language Printed Bohemica 1501-1800]. This will significantly facilitate research into the development of the printed production in the Czech lands in its entirety regardless of language division., Vojtěch Šícha., Obsahuje anglické resumé, and Obsahuje bibliografické odkazy
Studie Markéty Hallové se zabývá historií vzniku kantáty "Slavnostní zpěv", op. 113, hudebního skladatele Antonína Dvořáka na text Jaroslava Vrchlického, která vznikla k oslavám sedmdesátých narozenin Josefa Tragyho, dlouholetého jednatele Společnosti pro zvelebení hudby v Čechách., Markéta Hallová., Rubrika: Studie, and Německé resumé na s. 364, anglický abstrakt na s. 343.
Studie se zabývá provedením části Bachovy Mše h moll v širších dobových v souvislostech a věnuje se rovněž obecným snahám o udržení polyfonie a kvalitní kirchenmusik v první polovině 19. století., Tanja Kovačević., Rubrika: Studie, and Anglický abstrakt na s. 319
In 1963 Karel Kosík, a Czech neomarixt philosopher, published his trailblazing book, Dialectics of the Concrete. Both Marxist and non-Marxist thinkers were impacted in Czechoslovakia and throughout the world. The Institute of Philosophy hosted an international conference to explore Kosik’s seminal work in breadth and depth. In his book, Kosík strove to re-think the basic concepts of the Marxist philosophical tradition and to employ them in analyzing social reality. The wide array of issues he explored are still relevant today. Included are mystification of the "pseudo-concrete"; the social role of art; the conception of reality as a concrete totality; the conception of the human being as an onto-formative being (i.e., one that forms human and extra-human reality in its totality); the systematic connection between labor and temporality; the relationship between praxis and labour and the explanatory power of the dialectical method. This conference took place July 4-6, 2014 at Villa Lanna. and Jan Mervart.