Studie Milady Jonášové se zabývá využitím jmenované kantáty italského hudebního skladatele Benedetta Marcella operním impresáriem Antoniem Denziem v pasticciu "Sansone", provedeným v roce 1729 na scéně pražského divadla v paláci hraběte Františka Antonína Sporcka., Milada Jonášová., Rubrika: Studie, and České resumé na s. 51, anglický abstrakt na s. 5.
The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
The article focuses on early theatre criticism in Prague and Vienna at the end of the 18th century. It analyzes the argumentational forms and critical strategies. The 1790s are represented by three periodicals: Der Wahrheitsspiegel (Prague 1796-1798), Österreichische Monatsschrift (Prague - Vienna 1793-1794) and Der Theatralische Eulenspiegel (Prague 1797). The study is based on a close reading of six specific theatre critiques. It deals with epoch-typical critical postulates, with taste (Geschmack), impartiality (Unparteilichkeit) and the aesthetic concept of theatre as a real illusion (wahre Täuschung). This analysis of individual attitudes is also a contribution to the description and interpretation of theatre history and repertoire reforms., Alena Jakubcová jun., and Obsahuje bibliografické odkazy
Praha Královská kanonie premonstrátů na Strahově - Strahovská knihovna BP III 62 adl. 19, Gedruckt zu Brünn, bey Jacob Maximilian Swoboda., and BCBT31729
Persistent Scatterer Interferometry (PSI), a remote sensing technique, is used for detecting surface deformation in the cities of Prague and Ostrava. PSI is able to detect vertical movements with an accuracy of less than 1 mm for a long time series of the SAR data, but the maximum detectable rate of movement is only a few centimetres per year. This technique is quite suitable for detecting recent movements in most Prague localities. On the other hand, in Ostrava and its surroundings, affected by undermining, where subsidences (1992-2006) amount to decimetres per year, movements cannot be fully detected by the PSInSAR technique. The paper presents results of analysing PSI data for two localities in Prague and one locality in the Ostrava areas. The localities are strictly situated in built-up areas with many suitable reflectors. Data from the ERS-1/2 and ENVISAT satellites covering a 13-year period for the Prague (1992-2005) and a 14-year period for the Ostrava (1992-2006) area were used. Annual movement velocities and time-series of reflectors were determined. At these three localities, where different types of movements were identified, the application and possible limitations of PSI in urban areas are shown., Pavel Kadlečík, Vladimír Schenk, Zuzana Seidlová and Zdeňka Schenková., and Obsahuje bibliografii