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12. Evangelická láska. Bůh, člověk a ctnostné mravy mezi tradicí a osvícenstvím /

Creator:
Bolom-Kotari, Sixtus,
Type:
studie
Subject:
Dějiny křesťanské církve, Juren, Tomáš,, osvícenství, protestantismus, emoce, etika, české země 1740-1792, české země 1792-1847, církevní a náboženské dějiny, dějiny zvyků, obřadů, zábavy, pohostinství, and literatura, spisovatelé
Language:
Czech
Description:
Evangelical Love. God, Man and Virtuous Manners between Tradition and Enlightenment.
Rights:
unknown

13. Evangelická láska: Bůh, člověk a ctnostné mravy mezi tradicí a osvícenstvím

Creator:
Bolom, Sixtus
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
osvícenství, protestantismus, etika, emoce, enlightenment, Protestantism, ethics, emotions, 8, and 94(437)
Language:
Czech and English
Description:
This paper considers various approaches to love and morality in Protestant society in the late 18th century, as illustrated in Czech­language religious and educational literature (Korunka, aneb Wjnek Pannenský wssechněm pobožným a sslechetným Pannám toho Gazyku užjwagjcým, Litomyšl 1784; Kazatel Domovnj, Brno 1783). Our focus is on divine love, man’s love of God, marital love, parental and filial love, and definitions of immorality. We also examine some contemporary reactions to religious and educational writings in the memoirs of one of their readers, the rural preacher and Bible scholar Tomáš Juren (1750-1829), as well as the differences between the Christian confessions in their attitude to the emotions., Sixtus Bolom-Kotari., and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

14. From Care of the Emotions to Apetheia of the Passions: A New Pastoral Politics of Emotions in Paul /

Creator:
Ribeiro, Luiz Felipe
Type:
text and studie
Subject:
Přirozená teologie. Náboženská filozofie, pastorace, emoce, křesťanství, filozofie, antický svět, sociologie, psychologie, sociologové, psychologové, and teologie, ikonografie, zbožnost, hagiografie
Language:
English
Description:
Od péče o emoce k Apathei ve vztahu k vášním: Nová pastorační politika emocí u apoštola Pavla.
Rights:
unknown

16. Jsou opravdu Slováci emočnější než Češi? Sonda do emocionality českých a slovenských vysokoškoláků =

Creator:
Iva Poláčková Šolcová, Peter Tavel, and Kolarčik, Peter
Type:
article, články, model:article, and TEXT
Subject:
Psychologie, psychologie, Češi, Slováci, emoce, psychology, Czechs, Slovaks, emotions, regulace emocí, emotion regulation, 17, and 159.9
Language:
Czech
Description:
a1_Předložená studie srovnává emocionalitu u souboru českých a slovenských vysokoškolských studentů: zaměřuje se na četnost prožívání vybraných emocí a na preferovaný způsob exprese těchto emocí. Primárním cílem šetření bylo ověřit stereotyp, zda jsou Slováci „emočnější“ než Češi a zjistit, zda stereotyp nevystihuje především odlišnou emoční expresivitu. Autoři předpokládali, že se soubory českých a slovenských vysokoškoláků nebudou lišit z hlediska četnosti prožívaných emocí, ale že se budou významně lišit z hlediska regulačních strategií, a to ve směru k otevřenějšímu projevu u slovenského souboru a k umírněnému projevu emocí u českého souboru. Čeští (N = 107) a slovenští (N = 144) vysokoškolští studenti zaznamenali do inventáře (seznam emocí získaný v předešlých šetřeních) emoční valenci, četnost emočního prožitku a preferovanou expresivní regulaci emoce. Získaná frekvenční data byla zpracována v podobě průměrných četností odpovědí pro jednotlivé položky. Pro porovnávání českého a slovenského souboru z hlediska četností prožívaných emocí autoři použili t-test pro dva nezávislé výběry a pro porovnání regulačních strategií chí-kvadrát test pro srovnání pozorovaných a očekávaných hodnot. Při korelaci jednotlivých emocí autoři použili neparametrický korelační koeficient Spearmanovo rho a emoce byly korelovány z hlediska četnosti jejich prožitku. Výsledky ukázaly, že emoční valence a konotace jsou u obou souborů podobné. Konotace se významněji liší u emoce hrdosti, která v českém souboru koreluje silněji s negativními emocemi než s pozitivními. Studenti ve slovenském souboru prožívají emoce mírně častěji než čeští respondenti., a2_Soubory se významně liší především z hlediska regulace emocí: slovenští respondenti projevují emoce signifikantně otevřeněji (projevím přesně to, co cítím) oproti českému souboru, který častěji uvádí mírně potlačený projev emocí (projevím méně, než cítím). Omezeními studie jsou skutečnosti, že soubory nebyly reprezentativní a že se na tvorbě původního seznamu srovnávaných emocí nepodíleli slovenští studenti., b1_Objectives. The primary objective of the study was to verify the stereotype that Slovaks are “more emotional” than Czechs. In the present paper authors compared the emotionality of Czech and Slovak undergraduates: study focused on the frequency of experienced emotions and on the preferred strategy of emotional expression. Authors assumed that the samples of Czech and Slovak undergraduates would not differ in terms of frequency of emotions but that they would differ in terms of their regulatory strategies. Sample and settings. The Czech (N = 107) and Slovak (N = 144) undergraduates recorded emotional valence, frequency of their emotional experience and their preferred expression of the emotion into a specific questionnaire (an inventory of 80 emotions obtained in previous investigations). Statistical analysis. The collected data was processed based on the average frequency of responses for each emotion. For the comparison of Czech and Slovak frequency of experienced emotion, authors used the t-test for two independent samples and to compare the expressive strategies the chi-square test for comparing the observed and expected values. For the correlation of emotions, authors used the nonparametric Spearman rho correlation coefficient., b2_Results. The results have shown that the emotional connotations are predominantly similar in both samples; however analyses found different connotations for the emotion of pride, which correlated more strongly with negative emotions rather than positive in the Czech sample. Students in the Slovak sample experienced emotions slightly more often than Czech respondents. The samples differ significantly in terms of emotion regulation: the Slovak undergraduates express emotions more openly as compared to Czech students who often deamplify their emotional expressions. Study limitations. The limitations of this study are the facts that the samples were not representative and that the Slovak undergraduates were not involved in the construction of the used inventory of emotions., and Iva Poláčková Šolcová, Peter Tavel, Peter Kolarčik.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

17. K emocionálnosti interjekcí

Creator:
Štěpán, Josef
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
derived (secondary) interjections, emotions, interjection, underived (primary) interjections, odvozené (sekundární) interjekce, emoce, interjekce, and neodvozené (primární) interjekce
Language:
Czech
Description:
The article delimits emotionality and presents a brief survey of research of emotional interjections. The methodology of the research (the issues of classification of the semantic field of emotionality, semantics of interjections, selection of the analysed texts) is outlined. The core of the paper consists in the characteristics of the five basic types of emotions, described on the basis of the material of interjections: (1) psychical states, e.g. pleasure-displeasure, joy, sadness, relief, surprise etc., (2) egoistic emotions (e.g. fear), (3) altruistic emotions (e.g. liking-antipathy, mistrust, admiration, wrath etc.), (4) esthetical emotions (beauty, disgust), (5) ethical emotions (e.g. pity). The sixth part of the article investigates the displays and consequences of emotions (for example, laughing and crying are expressed by onomatopoeic interjections. The general conclusions of the paper are represented by the findings that emotional interjections often have no inherent meaning, but these interjections are usually polysemic (as one interjection expresses more emotions, e.g. ach, bože), and that some emotions are expressed by a number of synonymous interjections (e.g. ''joy'' jupí, juchú, ach, joj, jé, páni, bože etc.).
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

19. Láska proti zákonu v libretu pastorální opery: L’Amor non ha legge (Jaroměřice 1728)

Creator:
Perutková, Jana
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
<<z >>Questenberka, Jan Adam, 1678-1752, Bonlini, Domenico, pastorale, libreta, emoce, láska, zákony, příroda, venkov, pastorals, librettos, emotions, love, laws, nature, countryside, 8, and 94(437)
Language:
Czech and English
Description:
a1_The pastoral opera L’Amor non ha legge (premiered in Jaroměřice, 1728) was composed by the vicekapellmeister Antonio Caldara, based on libretto by Domenico Bonlini. It is the first attested dramatic musical composition written at the direct order of Count Johann Adam Questenberg (1678-1752), a connoisseur of music, skilled lute player, an occasional composer, and - above all - a passionate promoter of the Italian opera seria. The present article concerns with the generic examination of the plot of opera seria, with regard to its superior genre, favola pastorale. In L’Amor non ha legge, living in harmony with the Nature gains general appraisal, the Idyllic merry-making in the countryside being sharply contrasted with life in the city and at the (imperial) court. As a result, the main character, young aristocrat, having become enamoured with a shepherdess, leaves for the country where he is allowed to repose and forget the hustle and bustle of the city, as well as its corruptness. These characteristics seem to be fitting the personality of Count Questenberg himself, who sought a refuge from the city to his castle of Jaroměřice, set in the rural region of Southern Moravia. As Bonlini states in his introductory argomento, the aim of the opera is, primarily, to celebrate simple, undemanding Love. Not coincidentally, both meanings of the word ’Amor’ are made use of in the libretto; the abstract ’Love’, as well as the personified name of the God of Love - Amor. Love verses and lovely affections are abundant in the language and the plot of the opera; what Bonlini is most concerned with, especially in the arias, is to depict as many aspects of Love, hence the affects, as possible: constant love, love suffering, requited love, noble love, miserable love, vain love, martyred love, jealous love, despising love, even paternal love., a2_The message of the opera L’Amor non ha legge, therefore, is the imperative of symbiosis between Man and the Laws of Nature; the Law of Love, superior even to the obstacles of social inequality, should - according to Bonlini - always be in accordance with the Reason. Favorizing the pastoral environment over the court and city, in particular, can be read as a laud of the castle of Jaroměřice, which the Count was justly proud of, and which he identified with considerably., Jana Perutková., and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public