Red-figured kylix of Painter of Heidelberg vase No. 2011 from collections of Museum of Decorative Arts in Prague and technique of its painted decoration.
The purpose of this paper is to present a new paradigm and an innovative technology for thinking about the future. The concept of time synchronization is introduced as a technology to improve individual competency for balancing the continuous construciton of reinterpreted pasts, presents and futures in order to cope with the aceleration of change, complexity, and uncertainty. This new paradigm is driven by recognition of three factors: 1. Humans are both conservative and novelty generating. 2. Novelty is a key factor of life and humans address novelty through pattern-evolvign creativity. 3. Reality is defined through the unique ability of humans to anticipate and define experience in terms of pattern and category. This article asserts that rapidly expanding human pluarity and novelty require new models concerning relationships of past, present, and future. Such models should adequately address the rapidly changing and more complex conditions in which they are constructed and deconstructed, including the expanding opportunities that accompany them. and Arthur M. Harkins, George H. Kubik, John Moravec.
On the basis of the refitting of chipped stone industry it has been possible to reconstruct and compare the reduction strategies of three prominent cultural complexes in Moravia during the Early Upper Palaeolithic. Thanks to such refitting, it is possible to describe the basic technological differences between the Bohunician, the Szeletian and the Aurignacian. and Na základě skládanek kamenné štípané industrie se podařilo zrekonstruovat a porovnat operační schéma tří význačných kulturních komplexů na Moravě na počátku mladého paleolitu. Díky těmto remontážím jsme schopni popsat základní technologické rozdíly mezi bohunicienem, szeletienem a aurignacienem.