Sofia Kovalevskaya was not only a great Russian mathematician, but also a writer and advocate of women's rights in the 19th century. After concluding her sexondary schooling, Sofia was determined to continue her education at the university level. She travelled to Heidelberg to study mathematics, but discovered there that as a woman she could not graduate. In 1870 she moved to Berlin to study with Karl Meierstrass, in 1874 she was granted a Ph.D. from the Göttingen University. In 1883 she received an invitation from Gösta Mittag-Leffler to lecture at the University of Stockholm. Sophia's most famous work is on the theory of partial differential equations, and on the rotation of a solid body about a fixed point. Sophia died very young, at the age of 41, from pneumonia., Ivo Kraus., and Obsahuje bibliografii
This paper concerns a fragment of written inheritance left behind by professor of physics at the former German University in Prague Reinhold H. Fürth (1893-1979) acquired by the Masaryk Institute and the Archive of the Czech Academy of Sciences in Prague in 2016., Obsahuje bibliografické odkazy, and Překlad resumé: Paul Sinclair
Česká styčná kancelář pro výzkum, vývoj a inovace zorganizovala 1. dubna 2014 pro partnery ze styčných kanceláří v Bruselu seminář Aktuální stav Evropského inovačního a technologického institutu a jeho Znalostních a inovačních společenství. Jako hlavního řečníka pozvala Roberta Reiga Rodriga z Generálního ředitelství EK pro vzdělávání a kulturu, který odpovídá za ekonomický a společenský dopad European Institute of Innovation and Technology (EIT). and Anna Vosečková.
In his article, Jaroslav Anděl traces the changes that took place in both art and science in the Czech Lands in the course of the 19th century. In the works and commentaries of such painters as Karel Purkyně or Soběslav Pinkas, he finds early signals of the emergence of modern art. Even the scientific findings of Karel Purkyně’s father, J. E. Purkyně, a renowned natural scientist of his era, divulge links to modern art-forms, such as cinematography. The exchange between art and science is apparent, for example, in the geological inspiration for Adolf Kosárek’s paintings. What is particular about such works and scientific endeavors is their disruption of the static imagery and emphasis on the flow of time. The rise of urbanism and, consequently, of individualism, brought the passing and linear conception of time to the fore. Anděl claims that this “discovery of time” was a crucial element in constituting both the modern artist and critic., Jaroslav Anděl., and Obsahuje bibliografii