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1. Akordické paralelismy a jejich funkce v Ostrčilově opeře Poupě

Creator:
Zapletal, Miloš
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Ostrčil, Otakar, 1879-1935, 1901-1910, muzikologie, musicology, hudební analýza, musical analysis, hudební harmonie, harmony, opera, 78.01, 781, 781.41, 782, and (046)
Language:
Czech
Description:
Studie Miloše Zapletala se zabývá hudebně-analytickým rozborem funkce akordických paralelismů v opeře Poupě od hudebního skladatele Otakara Ostrčila., Miloš Zapletal., Rubrika: Studie, and Anglické resumé na s. 394, anglický abstrakt na s. 365.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

2. Italská opera mezi Prahou a Drážďanami v druhé polovině 18. století

Creator:
Niubó, Marc
Format:
print, text, regular print, bez média, and svazek
Type:
model:article and TEXT
Subject:
Bustelli, Giuseppe, 1731-1781, Bondini, Pasquale, asi 1737-1789, 18. století, opera, Praha (Česko), 8, and 94(437)
Language:
Czech and English
Description:
Despite the state borders, and the different socio­economical and cultural contexts, productions of Italian opera in Prague and Dresden become considerably interconnected due the activity of the impresario Giuseppe Bustelli. During his directorship (1764-1777 in Prague, 1765-1777 in Dresden) and even in the next decade, more than 50% of the repertoire was shared. Furthermore, some of the artists performed in both cities, and the same or similar adaptations of operas were used. The main difference in repertoire consisted in opera seria productions in Prague until 1777, whereas in Dresden only opera buffa was staged since 1765. Analyses of selected works reveal some of both similar and different performing strategies and their aesthetical, practical as well as political connections., Marc Niubo., and Obsahuje bibliografické odkazy
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public