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Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
Creator:
Pastýříková, Lenka
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
Creator:
Hankovec, Václav
Format:
bez média and svazek
Type:
model:article and TEXT
Language:
Czech
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
Creator:
Walendziak , Andzrej and Wojciechowska-Rysiawa , Magdalena
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Pseudo-BL algebra , bounded Rl-monoid , and weak pseudo-BL algebra
Language:
English
Description:
A system of axioms defining a pseudo-BL algebra is given.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
Creator:
Černý, Miroslav K.
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
Mesopotamia and music
Language:
English
Description:
The ancient Mesopotamian music (tonal) system was first interpreted as ascending (Kilmer, Duchesne-Guillemin, Wulstan, Gurney, Thiel and myself). Criticism of the "descending interpretation" (Krispijn, West, and, more recently, Gurney). No argument for this is valid (transformation of original heptatonic and nomenclature, primitive scales, ancient Greece a.o.). Musical-anthropological constants and nomenclature, psychology in the interpretation of notated sources, and the construction of harps all speak for the "ascending" interpretation. Question of Guerney´s new reading...
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public