Like the music of other nations, Irish traditional instrumental music too is being spread across the whole world through the mass-media and the recording Industry. There are certain differences between stage performances and traditional playing in its natural milieu though. The dance function of the music was becoming redundant in recent decades and a concert form of playing replaced the role of the house dancing accompaniment. The fact that Irish traditional music has developed up to the present day is being stimulated by the phenomenon of Irish musical session, an association of musicians gathered to play tunes (short melodies), mainly of dance music character. Irish sessions have its own rules, etiquette and controlling factors. According to this rules the session leader, being the musician with the highest status among the others, starts each set of tunes, sets the pace and rhythm of music. The music making of this kind appeared in Irish traditional music quite recently, especially thanks to musicians from the Irish diaspora that lived in North America and in the industrial towns of the Great Britain. From these places the post-WW2 phenomenon of Irish traditional music sessions gradually expanded to the Irish communities ali around the world. Of great importance for the next development and contemporary form of traditional Irish music were the musicians that came out of the Irish emigrants in the United States. In the 1930s it was Paddy Killoran, James Morrison and Michael Coleman, all living in New York, whose musical styles were often imitated. It was the beginning of great changes in the local musical styles in Ireland: under the influence of the personal styles of these famous fiddlers, originally from County Sligo, the local musicians tried to imitate this grandiose interpretation in their own playing. Thus gradually the differences between local styles are disappearing. This trend is stronger with the development of the musical industry. Even though some of the interpreters are afraid that through the weakening of the local music styles Irish traditional music looses its enchantment (draiocht), others consider the contemporary development being a proof of the fact that also in the future Irish traditional music will stay a live phenomenon and not a conserved manifestation of „folklorism“.
Vnitřní břišní hernie jsou méně častou chirurgickou diagnózou, mnohdy zjištěnou jako náhodný peroperační nález. Ileózní stavy na podkladě těchto hernií jsou pak raritními případy. V našem článku prezentujeme případ 69leté zdravé ženy, operované na základě chybně interpretovaného CT nálezu pro suspektní volvulus žaludku, kde pravou příčinou byla peroperačně zjištěná herniace pravé části kolon do bursy omentalis s dilatací céka a známkami nekrotizace stěny střevní., Internal abdominal hernias present an infrequent surgical diagnosis and are usually encountered accidentally during surgery. They are generally considered as an extremely rare cause of ileus. In our article we present the case of a 69-year-old healthy female who was operated for suspected gastric volvulus as suggested by the CT scan; however, upon surgery, herniation of the right-sided colon into the omental bursa with subsequent cecal dilation and bowel wall necrosis was revealed to be the true culprit., and V. Sobek, M. Chrostek
přeložil Jan Lad. Čapek, Pod názvem: Pomocí České akademie císaře Františka Josefa pro vědy, slovesnost a umění, Přeloženo z řečtiny, and Obsahuje bibliografické odkazy
Heterotopická mezenteriálna osifikácia (HMO) je zriedkavé ochorenie podmieňujúce patologickú tvorbu kostného tkaniva v dutine brušnej po opakovaných operačných traumách. Autori prezentujú neobvyklý prípad vzniku mezenteriálnej osifikácie u 30ročného muža po operácii pre ileózny stav na podklade tenkočrevnej inkarcerácie. Po prepustení do domáceho liečenia musel byť znovu hospitalizovaný a reoperovaný. V priebehu 6 týždňov bol ešte 3krát reoperovaný pre tenkočrevný ileózny stav a výraznú produkciu z entero-kutánnej fistuly. Napriek intenzívnej parenterálnej hyperalimentácii sa stav pacienta nezlepšil, metabolický rozvrat sa stal pacientovi osudovým. Patofyziológia mechanizmu formovania kostného tkaniva v mäkkých tkanivách nie je známa. Kľúčové slová: heterotopická mezenteriálna osifikácia − intraabdominálna osifikujúca myozitída− črevná obštrukcia – reoperácie − metabolický rozvrat, Heterotopic mesenteric ossification (HMO) is a rare disease inducing pathological bone tissue formation in the abdominal cavity after multiple operational traumas. The authors present an unusual case of mesenteric ossification formation in a 30 year-old man after surgery due to status ileosus on the basis of intestinal incarceration. After being released into home treatment the patient had to be hospitalized again and reoperated. During the next six weeks, the patient was reoperated three more times due to intestinal status ileosus and significant leaking of the entero-cutaneous fistula. Despite intensive parenteral hyperalimentation the patient‘s condition did not improve and metabolic breakdown became fatal for the patient. Pathophysiology of the mechanism of bone tissue formation in soft tissues is unknown. Key words: heterotopic mesenteric ossification – intra-abdominal myositis ossificans – intestinal obstruction – reoperation – metabolic breakdown, and M. Bakoš, J. Korček, P. Rusev, M. Kuťka, A. Sládeček, Z. Tóthová
Termovize se stala běžně používaným nástrojem pro sledování úniku tepla a termosnímky dokladují účinky tepelné izolace budov. Termokamera je nyní dostupná i pro školy. Snímky pořízené termokamerou mohou napomoci při výuce fyziky jak na základní, tak i střední škole. Článek vychází z příspěvku, který byl prezentován na 18. veletrhu nápadů učitelů fyziky v Hradci Králové., Josef Hubeňák., and Obsahuje seznam literatury