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2. Cantio, Lied or Chanson?: The Strahov Codex as a 15th Century Song Treasury

Creator:
Lenka Hlávková
Format:
print
Type:
article, studie, studies, model:article, and TEXT
Subject:
15. století, chansony, dějiny hudby, hudební rukopisy, písně, renesanční hudba, rukopisné kodexy, history of music, manuscript codexes, music manuscripts, polyphonic chansons, renaissance music, songs, Česko, Czechia, (048.8), 78(091), 78.034.3/.6, 091.14, 784.7, 784.3/.7, and 091:78
Language:
Czech
Description:
A large number of songs have been preserved in the Strahov Codex (ca. 1465/67-1470), an important collection of polyphony from the latter half of the fifteenth century. These songs were once generally regarded as cantiones in Latin or as instrumental compositions, but a detailed study of this repertoire shows that the manuscript is an important source of secular compositions, and especially of chansons. Most of these songs have been preserved only in this manuscript. Questions remain as to when they were composed and how they found their way into a manuscript that originated in one of the Catholic regions of Bohemia., Lenka Hlávková-Mračková., and České resumé na s. 270.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

3. Janáčkovy srbské folklorní inspirace: Zpěvy lidu srbského

Creator:
Jarmila Procházková
Format:
print, bez média, and svazek
Type:
article, studie, studies, model:article, and TEXT
Subject:
Janáček, Leoš, 1854-1928, 1851-1900, hudební skladatelé, kulturní život, muzikologie, písně, composers, cultural life, musicology, songs, Česko, Czechia, 78.01, 784.3/.7, 78.071.1, 316.72/.75-027.22, and (048.8)
Language:
Czech
Description:
Studie Jarmily Procházkové se zabývá písněmi hudebního skladatele Leoše Janáčka, které byly inspirovány srbskou kulturní tradicí., This study is concerned with determining the previously unknown textual sources for Janáček’s lost chorus Ženich vnucený (The Enforced Bridegroom) from 1873, the composition of which testifies, as does that of his chorus Osudu neujdeš (You Cannot Escape Your Fate), to the composer’s interest at that time in South Slavic folklore. He took the texts for both pieces from the collection Zpěvy lidu srbského (Songs of the Serbian People) – Vol. I, Prague 1872 – in Czech translations by Siegfried Kapper (1821–1879), in which Kapper presented to the Czech public folk poetry from the collections of Vuk Stefanoviç Karadžiç (1787–1864). Kapper’s edition of the Czech translation was known also by Antonín Dvořák and Josef Suk, who used it in their vocal works composed to translations of Serbian folk texts., Jarmila Procházková., Rubrika: Studie, and Anglické resumé na s. 402, anglický abstrakt 393.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

4. Ordo ostendendarum reliquiarum Crumlovii: Zkoumání pod drobnohledem

Creator:
František Šmahel, Hana Vlhová-Wörner, and Michal Dragoun
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
Rožmberkové (rod), slavnost Těla a Krve Páně, ostatky svatých, odpustky, relikviáře, latinské středověké hymny, písně, Feast of Corpus Christi, relics of saints, indulgences, reliquaries, Latin medieval hymns, songs, Český Krumlov (Česko), Český Krumlov (Czechia), Božítělové procesí, ukazování sv. ostatků, Corpus Christi procession, ostensio reliquiarum, 5, and 2
Language:
Czech
Description:
The study deals with the dating and interpretation of the Latin text known under the title Ordo ostendendarum reliquiarum Crumlovii. The text is a detailed instruction of Corpus Christi processions and the subsequent exhibition and veneration of holy relics in the double monastery of the Minorites and the Poor Clares in Český Krumlov. According to the codicological analyses by Michal Dragoun (see Appendix II), the Ordo comes from the end of 1360s. The text is a rare monument also in terms of philology, because it contains the prescribed proclamations and responses of the faithful in both local languages, Czech and German. The study further deals with the displayed relics of the saints and their reliquaries. The hymns and songs in the course of the ceremony were determined by Hana Vlhová-Wörner., František Šmahel; komentáři v přílohách přispěli Michal Dragoun a Hana Vlhová-Wörner., Studie obsahuje 4 přílohy, and Obsahuje literaturu a odkazy pod čarou
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

5. Písňová tvorba Viktora Ullmanna z období před jeho deportací do Terezína

Creator:
Riethofová, Kateřina
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Ullmann, Viktor, 1898-1944, 1933-1945, muzikologie, musicology, hudební skladatelé, composers, písně, songs, Praha (Česko), Prague (Czechia), 78.01, 78.071.1, 784.3/.7, and (046)
Language:
Czech
Description:
Studie se zabývá písňovými kompozicemi československého židovského skladatele Viktora Ullmanna z let 1937 - 1942., Kateřina Riethofová., Rubrika: Studie, and Anglické resumé na s. 405, anglický abstrakt na s. 385
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public