Studie Milady Jonášové se zabývá využitím jmenované kantáty italského hudebního skladatele Benedetta Marcella operním impresáriem Antoniem Denziem v pasticciu "Sansone", provedeným v roce 1729 na scéně pražského divadla v paláci hraběte Františka Antonína Sporcka., Milada Jonášová., Rubrika: Studie, and České resumé na s. 51, anglický abstrakt na s. 5.
The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
Zpráva Lenky Hlávkové se zabývá padesátým ročníkem mezinárodního muzikologického kolokvia, které se uskutečnilo na Filozofické fakultě Masarykovy university v Brně ve dnech 12. až 14. října 2015., Lenka Hlávková., Rubrika: Konference, and Cizojazyčné resumé není.
A large number of songs have been preserved in the Strahov Codex (ca. 1465/67-1470), an important collection of polyphony from the latter half of the fifteenth century. These songs were once generally regarded as cantiones in Latin or as instrumental compositions, but a detailed study of this repertoire shows that the manuscript is an important source of secular compositions, and especially of chansons. Most of these songs have been preserved only in this manuscript. Questions remain as to when they were composed and how they found their way into a manuscript that originated in one of the Catholic regions of Bohemia., Lenka Hlávková-Mračková., and České resumé na s. 270.
This study is dedicated to the role of Czech musicians in the shaping of the modern musical culture of Bosnia and Herzegovina. The discontinuity of development there is a consequence of the countrys complicated political history after centuries under Ottoman rule, its annexation by Austria-Hungary (1878) was a major turning point for all spheres of society. Bosnian-Herzegovinian musical culture was also shaped by the influence of West-European music and of musicians from Europe, among whom the Czechs were the most numerous. On the basis of extensive archival research and work with literature, the author provides a comprehensive overview of their amateur and professional activities, paying attention in particular to musicians in military orchestras, and she also investigates their work in the areas of pedagogy, composition, and folkloristics., Fatima Hadžić., Obsahuje seznam literatury, and Anglické resumé na s. 143.
The diaries of the Bohemian nobleman Johann Nepomuk Chotek (1773-1824) are an important new source for the history of music in Prague. In particular, they describe 17 concerts given by the Society of Musicians between 1804 and 1822 in the Estates Theater. The programmes of seven concerts were previously unknown. Chotek not only gives accurate dates for the performances, but also names the pieces and performers, thus supplementing the information in Michaela Freemanová‘s 2003 article on this society. As a trained music connoisseur, Chotek also critiques the orchestra and singers, judges the music, and describes the reaction of the public., Rita Steblin., and České resumé na s. 61, anglický abstrakt na s. 47.