The Black Death plague constituted a major disruption of the ordinary pace of life of the society in early modern period. As such it attracted interest and drew attention. The Black Death menace caused panic and fear, and therefore various measures and actions which were supposed to prevent the outbreak of the plague or at least considerably limit its consequences were defined and carried out. Such practices were shaped by contemporary ideologies and mentalities and reflected everyday experience. The study of various means of dealing with the Black Death menace may be like looking in a mirror in which the curves of the quotidian lifestyle of the period are reflected. The present paper which analyses the last Black Death plague of 1713-1714 in the environment of a southBohemian town offers one such view. The mechanisms which the inhabitants of the regional capital Písek formulated and applied in the attempt to confront the iimpending Black Death menace, are specifically examined. The bearing of these mechanisms on contemporary devoutness is also problematized at the level of socalled semifolk discourse., Zdeněk Duda., and Obsahuje bibliografické odkazy
anglicky napsal František hrabě z Lützowů ; z originálu přeložil Josef Jul. David ; s předmluvou Arnošta Denise a úvodem T.G. Masaryka, Přeloženo z angličtiny, and Obsahuje bibliografické odkazy a rejstřík
This study introduces an emblematic scheme within the stucco decoration of the Palace Chapel in Červené Poříčí. The given emblematic sheme glorifies the Most Sacred Heart of Jesus. It was inspired by the emblem book of the Bavarian theologian Anton Ginther, which was published in 1706. The article tries to place the programme of the decoration into the context of Middle European evolution of the devotion to the Most Sacred Heart of Jesus - a cult that was very popular at the time. Finally, the article places the decorative scheme into political and historical context and discusses the role its patron played in determining the decoration’s commission and execution., Daniela Štěrbová., and Obsahuje bibliografické odkazy
The aim of the present paper is to examine certain philosophical issues which have set the tone of the philosophical reflection in eighteenth century France in relation to a specific case study: that of the "wild child" known as Victor of Aveyron. Found in 1800 in central France, Victor was later transferred to the Parisian Institute of the DeafMutes, where he became the object of educational activities of JeanMarc Itard, a medical expert known for his works on the problem of hearing loss. Through a brief critical examination of the most notorious philosophical texts dealing both with the question of wild children and deafness (namely by Rousseau, Diderot and Condillac), we attempt to show that the specificity of Itard’s educational method consists in an application of the sensualist approach towards the human individual (as it is exemplified especially in the work of Condillac) on a concrete human subject, considered as a tangible proof of the inexistence of innate ideas. On this basis, we sketch several broader questions concerning the status of anomaly in the eighteenth century philosophical thought (namely, wild children and deafness), as well as some hypotheses on education and its fantasmatic aspects in general., Josef Fulka., and Obsahuje bibliografické odkazy
The article lays out Jonathan Israel’s central ideas on the European Enlightenment, as they have been developed in his Radical Enlightenment (2001), Enlightenment Contested (2006) and A Revolution of the Mind (2009). I explain his ‘controversialist method’ of intellectual history and point out the advantages and faults of this approach. Israel’s model of the heterogeneous Enlightenment is shown as a response to A. MacIntyre’s postmodern criticism, and to the older models of a ‘single Enlightenment’, as presented by P. Gay, or older models of multiple enlightenments, as presented by J. G. Pocock. However, Israel’s heterogeneous Enlightenment recognizes just one progenitor of the positive ‘modern values’, which is identified with the Radical wing. The article reviews Israel’ s narrative of the development and spread of the Radical Enlightenment in Europe and the struggles with the Enlightenment mainstream and within the Enlightenment mainstream. However, I also show some faults in Israel’s argument, mainly his view of the ‘secular morality’, which should have been the outcome of the Radical Enlightenment’s campaign. In conclusion, I point at the inconsistency of Israel’s reconstruction of the Enlightenment morals and the differences between his view and J. Schneewind’s interpretation., Ivo Cerman., and Obsahuje bibliografické odkazy
Despite the state borders, and the different socioeconomical and cultural contexts, productions of Italian opera in Prague and Dresden become considerably interconnected due the activity of the impresario Giuseppe Bustelli. During his directorship (1764-1777 in Prague, 1765-1777 in Dresden) and even in the next decade, more than 50% of the repertoire was shared. Furthermore, some of the artists performed in both cities, and the same or similar adaptations of operas were used. The main difference in repertoire consisted in opera seria productions in Prague until 1777, whereas in Dresden only opera buffa was staged since 1765. Analyses of selected works reveal some of both similar and different performing strategies and their aesthetical, practical as well as political connections., Marc Niubo., and Obsahuje bibliografické odkazy
This paper analyses the so-called Chapbooks that were being written or translated on the dawn of the 19th century. The authors tried to educate the ignorant peasants, the targeted readers, through their fetching stories. The work shows facts and deeds that were presented as "right" and "wise". First of all it presents the factual public enlightenment, more specifically the altering appreciation of time. Next, there is an analysis of the way the authors were maintaining the cogency of their work; the paper discusses whether the narrative style of writing is compatible with the didactic intention, and the characteristics of the "rational order of explanation"., Barbora Matiášová., and Obsahuje bibliografické odkazy
This article presents Christian Kyrill Schneider OFM, a significant yet not widely known Franciscan missionary who lived in the second half of the 18th century and worked in Egypt and surrounding Middle East Area. His autography that is only available as a manuscript and has never been presented before is fully described here. An excerpt of one chapter offers an insight into a catching egodocument from the beginning of the 19th century. This study is set in the context of Franciscan missions with an important focus on the activity of brothers from the Czech lands in the Middle East. The introductory chapter summarizes basic bibliography of history of Franciscan missionaries and their writings., Kateřina Holanová., and Obsahuje bibliografické odkazy
The aim of the present study is to trace an interpretation of Rousseau’s novel Julie ou la Nouvelle Heloise on the basis of the difference between love and friendship. Starting with a brief reminder of Paul de Man’s interpretation of this novel in Allegories of Reading, the author turns to Jacques Derrida and borrows a key neologism from his book The Politics of Friendship: aimance or lovence, an affective modality which blurs and transcends the duality of love and friendship. On this basis, the author presents a few remarks concerning the literary form of the novel, the configuration of its characters and finally the place of Rousseau’s Julie in the context of his other works. Rather than being an isolated literary work, Julie seems to be an attempt to answer certain questions concerning the relation between individual and society from a different angle than that chosen in The Social Contract., Etienne Balibar ; překlad Josef Fulka., and Obsahuje bibliografické odkazy
The second half of the 18th century marked an extraordinary flowering of music, especially church music in the Czech lands. Monastic churches, in particular, were characterised by a high level of music production performed by choral scholars whose liturgical music was conducted by chosen monks. Some members of religious orders also composed. These were for example M. J. Haberhauer (1746-1799), a member of the Benedictine order situated in Rajhrad near Brno and P. J. Marek (1748-1806) who belonged to the Augustinian monastery in Brno. Both of them got a musical education as choral scholars and remained musically active also after entering orders. Eventually these two authors both performed as chorregents in the 70’s and early 80’s of the 18th century and they collected sacred and secular pieces of music of their more famous and popular contemporaries (C. Ditters, F. X. Brixi, Haydn, etc.). Apart from a few exceptions they were only composing liturgical works. Haberhauer bequeathed 90 compositions, most of whom composed of Mass for choir and solo accompanied with instrumental ensemble as well as vespers and motets. Marek, however, composed only 21 church compositions and most of them consist of Marian antiphons and litanies of Loreto. These were necessary at the Augustinians, given the honor rendered to the picture of Virgin Mary placed in their church. The two monasteries ran a mutual cooperation which can be proved by Haberhauer music collection preserved at Augustinians in Brno. Haberhauer work can be also found in the collections of other Moravian churches and also at Prague Benedictine order. While Marek’s compositions were exclusively connected to the Augustinian monastery in Brno. Their pieces of music are purely purposeful showing features of a musical classicism. Lives and works of both composers are now the subject of research of the author and of Pavel Žůrek from the Ins, Irena Veselá., and Obsahuje bibliografické odkazy