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372. Konference v Admontu 2014: Interuniversitäres Forschungskolloquium. Varia mixta zum 18. Jahrhundert
- Creator:
- Michková, Lucie
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- konference, disertace, dějiny umění, conferences, dissertations, history of art, 8, and 94(437)
- Language:
- Czech
- Description:
- Lucie Michková.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
373. Konference Výskum dejín knižnej kultúry na Slovensku a v stredoeurópskom priestore (Bratislava 8.-10. 4. 2014)
- Creator:
- Vojtěch Šícha
- Format:
- print, bez média, and svazek
- Type:
- article, zprávy, reports, model:article, and TEXT
- Subject:
- Historická věda. Pomocné vědy historické. Archivnictví, dějiny knižní kultury, knižní obchod, mezinárodní konference, history of books and reading, book trade, international conferences, Slovensko, Slovakia, 8, and 930
- Language:
- Czech
- Description:
- Vojtěch Šícha.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
374. Konference Zrod a cesty knihy (5.-7. 5. 2015, Martin)
- Format:
- print, bez média, and svazek
- Type:
- article, zprávy, reports, model:article, and TEXT
- Subject:
- Historická věda. Pomocné vědy historické. Archivnictví, Slovenská národná knižnica, knižní kultura, knihověda, international conferences, bibliology, 8, and 930
- Language:
- Czech
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
375. Konferencia Európske cesty románskych kníh v 16.-18. storočí
- Creator:
- Klára Komorová
- Format:
- print, bez média, and svazek
- Type:
- article, zprávy, reports, model:article, and TEXT
- Subject:
- Historická věda. Pomocné vědy historické. Archivnictví, 16.-18. století, historické knihovny, romanistika, mezinárodní konference, historical libraries, Romance studies, international conferences, Evropa, Europe, 8, and 930
- Language:
- Czech
- Description:
- Klára Komorová.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
376. Konferenz Der Buchdrucker Maria Theresias. Johann Thomas Trattner (1717-1798) und sein Medienimperium
- Creator:
- Wögerbauer, Michael
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- konference, osvícenství, conferences, enlightenment, 8, and 94(437)
- Language:
- Czech
- Description:
- Michael Wögerbauer.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
377. Konfesionalita a mentalita mezi koncem 15. a druhou polovinou 16. století pohledem české knižní kultury
- Creator:
- Voit, Petr
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- knižní vazby, knihtisk, katolicismus, konfesionalizace, humanismus, husitství, ilustrace, reformace, náboženská literatura, renesance, utrakvismus, bookbindings, letterpress printing, Catholicism, confessionalisation, humanism, Hussitism, illustration, reformation, religious literature, renaissance, Utraquism, Čechy (Česko), Morava (Česko), Bohemia (Czechia), Moravia (Czechia), confessionality, copying of books (manuscript), denomination, mentality, Schmalkaldic War 1547, Unity of Brethren, 8, and 930
- Language:
- Czech
- Description:
- The aim of the article is to characterise for the first time ever the role of book culture in building the confessionality of post-Hussite society and subsequent generations. For such an extensive research goal, it was necessary to choose a broad interdisciplinary approach, making it possible to place social phenomena previously assessed in isolation into the context of the day. The individual passages of the article are therefore devoted to editorial models, to the archaeology of the printed text and the basics of reading, to the history of illustration and book printing, to language and bookbinding. It has been confirmed that book culture - created by the reception of manuscript and printed products - can be understood as a faithful mirror of a religiously pluralistic society. However, where modern historiography ends with the research of confessionality, the study of book culture may begin to reveal the much more general mechanisms of the individual and social mentality in which the religious-political process took place. The mentality of the readers (burghers and partly the lesser aristocracy) for whom the copied and printed books were intended, was negatively impacted by the remnants of Hussitism and by contemporary Utraquism, which coexisted in a dualistic symbiosis with minority Catholicism. These influences, which at the time were commonly referred to as “renaissance”, bound readers to the Middle Ages. The more massive growth of their intellectual potential was made possible only by the cultural restart brought about by the change in the political situation after the Schmalkaldic War of 1547, which met with a somewhat negative response in both earlier and modern historiography. However, through the study of book culture, we are becoming convinced that the bourgeoisie began to compensate for the privileges which the monarch had deprived them of through various forms of self-education and self-presentation, by means of which it revived itself from these medieval residuals and at the same time competed with the aristocracy., Petr Voit., Obsahuje bibliografické odkazy, and Jan Pulkrábek [překladatel]
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
378. Konflikte, Kritik und Kanonbildung: Zur zeitgenössischen Rezeption der Prosa August Gottlieb Meißners
- Creator:
- Seidel, Sarah
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- literární kritika, recenze, dopisy, kanonizace, paratexty, literary criticism, reviews, letters, canonization, paratexts, 8, and 94(437)
- Language:
- Czech and English
- Description:
- Drawing on literary paratexts such as prologues, reviews and letters, this study seeks answers to the question of Meissner’s role in the German-language canon, or rather why his literary legacy has endured for so long. First, Meissner’s personal contacts in the world of literature from a social-historical perspective is considered. This reveals that the repeated criticism of Meissner’s texts, which despite their popularity were to a large extent at odds with the taste of the time, cast him in a bad light. Selected relevant texts will be placed in their discursive context and Meissner’s writings within the parameters of 18th century literary practice examined., Sarah Seidel., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
379. Konstruktionsunterschiede zwischen den Brücken im nordwestslawischen Gebiet
- Creator:
- Wilke, Gerard
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- archeologie, mosty, dendrochronologie, archaeology, bridges, dendrochronology, spatial-chronological analysis, Německo, Germany, Polsko, Early Middle ages, bridge construction, bay configuration, 8, and 902
- Language:
- Czech
- Description:
- At present, the catalogue of early mediaval bridges in the nort-western part of territory with Slavic settlement contains 81 localities: 47 in Germany and 34 in Poland. In some of them more than one bridge (2 to 3 structure) was documented, bringing the total number of bridges to 101. Construction dates, different prhases in the lives of the bridges and dates ranges for when they were reapired were obtained based on dendrochronology and spartial-chronological analysis. The present anaylsis deals with 48 bridges from 37 localities in north-west Slavic territory: 22 in Germany and 16 in Poland. In 16 cases more or less probable reconstructions have been made and four basic types of bridges ascertained., Gerard Wilke., and Obsahuje seznam literatury
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
380. Kontrola proti umělecké svobodě: česká filharmonie po únoru 1948
- Creator:
- Nájemník, Václav
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Česká filharmonie, 1948-1956, hudební život, kulturní politika, symfonické orchestry, musical life, cultural policy, symphonic orchestras, Česko, Czechia, 8, and 93/94
- Language:
- Czech
- Description:
- Recenzent nejprve nastiňuje odbornou produkci věnovanou hudbě (především vážné) a hudební kultuře ve vztahu k politice a jejím institucím v Československu v období komunistického režimu. V recenzované monografii si autorka podle něj jako jedna z prvních v českém prostředí klade otázku, jak a díky čemu je možné fungování špičkového hudebního tělesa v totalitním prostředí, a vlastně jemu navzdory. Jádro její práce tvoří líčení působení České filharmonie v ovzduší prvního desetiletí po únoru 1948, v konfrontaci s neustálou snahou komunistického režimu kontrolovat jeho činnost prostřednictvím stranických, a především bezpečnostních orgánů. Vypomáhá si exkurzy do reality šedesátých let až osmdesátých let a uvádí, že snahy o zneužití hudebníků České filharmonie k agenturní spolupráci se za celou dobu prakticky nezměnily. Autorka sleduje i program a dramaturgii filharmonie, v nichž museli hudebníci přistupovat na kompromisy s požadavky na uvádění ideologicky angažovaných děl. Přes dílčí kritické připomínky se práci dostává pozitivního hodnocení, zejména z faktografického hlediska., The reviewer first offers an overview of scholarly research on music (primarily serious music) and music culture in relation to politics and institutions in Czechoslovakia under the Communist régime. The author of the book under review, he claims, is one of the first Czechs to ask how and why a leading music ensemble could operate in totalitarianism and even in opposition to it. The core of book comprises the author´s discussion of the Czech Philharmonic durign the first decade after the Communist takeover in late February 1948, in the face of continuous efforts by the régime to keep an eye on the orchestra by means of Party institution and, particularly, the secret police. The author uses excursions into Czechoslovak life from the 1960s to the 1980s, and writers that the offorts to enlist Czech Philharmonic musicians to collaborate with the secret police were practically continuous throughout the period. She discusses the programme and production plans of the orchestra, in which the musicians had to accept comprises with the demands to perform ideologically engagé works. Despite some minor criticisms, the reviewer, on the whole, judges the book positively, particularly concerning the factual information it presents., [autor recenze] Václav Nájemník., and Obsahuje bibliografii a bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public