redakteur: Bogumil Zepler, S podloženým textem., and Dílčí části:
Das Gastmahl Nevers'
Die Einladung
Am Hofe der Königin
Zwischen den feindlichen Lagern
Im Schutze der Liebe
Die Verschwörung
Mit der Liebe in den Tod
No. 19, Duett "O Gott, wo eilt ihr hin", componirt von Giacomo Meyerbeer, mit deutscher Übersetzung von J. F. Castelli, grosse Oper in fünf Aufzügen von Scribe, and Duety: skladby pro 2 sólové hlasy s doprovodem 1 nástroje.
No. 11, Arie : Du leichter Schatten, bleib' mir zur Seite : für Sopran, Musik von G. Meyerbeer, nach dem französischen des M. Carré und J. Barbier von J. C. Grünbaum, and Skladby pro ženský hlas s doprovodem 1 nástroje.
In contrary to general interpretations of opera buffa, the presence and importance of arias and ensembles based primarily on emotions (and not only action) are crucial for the genre’s dramaturgy as well as for its historical development. The presence of lyrical arias in opera buffa has its origins in the traditional comic dramaturgy (one or more couples of serious lovers), the number, form and functions of such arias, however, changed considerably during the 18th century. Not only the use of Tuscan Italian, but also adopting new music features of opera seria for lyrical arias of noble lovers (in 30ties) led to the rapid dissemination of the genre. Similarly, broadening of the typology of characters and its emotions in the works of Goldoni and his composers, mostly the including of the sentimental plots and its new kind of heroine, supported the popularity of opera buffa and its transformation to the leading operatic genre in the second half of 18th century., Marc Niubo., and Obsahuje bibliografické odkazy