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71. Quoting, Rethinking and Copying: A Few Remarks on the Tradition of the Monophonic Cantio in Central Europe

72. Šimrák versus Šimbracký: Mythen und Realität in der slowakischen Musikhistoriographie

73. Some observations on the VatS 18 and BoIC Q19 Settings of the Antiphon Da Pacem: Were They Composed by Costanzo Festa?

74. St Scholastica's Office in Medieval Manuscripts of St George's Convent at Prague Castle

75. Stávající hudební instituce - jejich stav a perspektivy

76. Thannenwald - the Lost Manuscript from Elblag/Elbing Partially Rediscovered

77. The Boundaries of Musical Humanism: Slavic Regions & Mediterranean Culture

78. The Musical Culture of Silesia Before 1742: New Contexts - New Perspectives

79. The Reception on the Oeuvre of Composers Active at the Court of Rudolf II in Prague in the Contemporaneous Musical Repertoire of Historical Upper Hungary

80. The Royal Musical Association Research Students' Conference