Prague Spring was a period of political liberalization in Czechoslovakia during the era of its Soviet domination after World War II. It began on January 5, when reformist Alexander Dubček came to power, and continued until August 21, when the Soviet Union and its Warsaw Pact allies invaded this country to halt the reforms. The Prague Spring reforms were an attempt by Dubček to grant additional rights to citizens as a part of his partial decentralization of the economy and democratization. and Jitka Vondrová.
The paper deals with the stories representing the suicide of Prague (German writing) authors, Christian Heinrich Spieß, Johann Friedrich Ernst Albrecht and Reactions to the Wertheriads, which document the divergent development of cutures of subjectivity (Reckwitz) in Central Europe in the age of Enlightenment. The first part of the paper reconstructs the influence of the radical preromantism and Sturm und Drang, namely The Sorrows of Young Werther in the Bohemian Lands. Next, It compares the Stories written by Spieß and Albrecht with Werther as a paradigmatic text and its model of Subjectivity. It focuses to the Story Die neue Sapfo written by Spieß in 1779, which documents the genesis of his later stories and the development of the conception of the role of the subject., Václav Smyčka., and Obsahuje bibliografické odkazy
The article maps a numerically limited and religiously and socially discriminated group of pre‐tolerance and tolerance non‐Catholics, thus a group of persons of restricted education, which was except some rare examples limited to the basic level. In this regard, the text offers a more compendious analysis of one confessional and social group that was most of the time just a restricted recipient of the enlightened ideas and education spread by so‐called "plebeian" intelligence and most of all by new protestant preachers. This group showed however a great ability to absorb, transform, create and spread within their community the adopted and own thoughts, the fact that significantly contributed to their emancipation in the following period., Eva Hajdinová., and Obsahuje bibliografické odkazy
The study presents an empirical analysis of the risky practice of illegal marriage and baptism among Huguenots in 18th century France, drawing on contemporary pamphlets to trace the problematic evolution of French Calvinist inheritance law - a process that played a decisive part in efforts to relegalize Calvinism in the kingdom. Agitators for the reformed church pursued two main lines of argument: Calvinist pastors, both within the country and in exile, made increasingly active use of Enlightenment philosophical discourse that condemned religious intolerance. At the same time, especially from the 1760s on, pamphleteers emphasized the social and economic importance of the Huguenot upper class. Together, these arguments helped overcome received ideas about the risk of an anti‐state "protestant conspiracy" organized by the exile community ("conjuration de l’étranger Huguenot"), which was in turn linked to the financial power of the Huguenot banking families that had been a leitmotif of criticism since the 16th century. Instead, a positive image of the Calvinists’ social contribution was presented, stressing their usefulness and loyalty to state and sovereign. Among their supporters at court were the lawyers and ministers de Breuil and de Malesherbes, who eventually succeeded in pushing through reforms., Eva Hajdinová., and Obsahuje bibliografické odkazy
Theatrical activities of Václav Mihule (1758 - after 1808) are documented at his various positions in 19 European cities. Born in Prague Mihule left his home at a young age. His earliest experience was as an actor (1781-89), traveling to distant places such as Warszawa (1781), St. Peterburg (1784-86), Königsberg (1787-88), Mainz and Frankfurt a. M. (1788-89). His first Prague ensemble (1789) was a collaboration with Jean Butteau, the company played at ThunPalace Theatre at the Lesser Town of Prague. Later he directed the ensemble Vlastenské divadlo (Patriotic Theatre) in the Theatre U Hybernů (in summer in Karlovy Vary) and the German company at the Nostitz Theatre. After his abrupt departure from Prague in mid 1793 he became a theatre director in Augsburg (1793-94), in Nürnberg, Ansbach, Erlangen, Ulm and Nördlingen (1794-97), Stuttgart (1797), Wiener Neustadt (1797/98), Olomouc (1800-02), Opava (1802-04), Prešov (1805) a Košice (1804-08). He seems to have ended his career in Košice, where he may have died. In the time from 21. 12. 1796 till 13. 9. 1797 he led on lease the Court Theatre Company of Friedrich Eugen II. of Württemberg in Stuttgart. It was in Stuttgart for the first time, when the Court Theatre was rented to a theatre entrepreneur. The Duke tryed in this way to keep the theatre running in the bad economic situation in the course of the War of the First Coalition (1792-1797). For the director Mihule was the offered contract for 6 years - after experience with various theaters in the cities - an extraordinary occasion to achieve a firmly established place of work with above standard conditions. It is possible to describe and characterize the Stuttgart period of the entrepreneur Mihule on the basis of archive documents and account books (aspect of organization) and periodicals (theatre repertory). Some features of the abilities of actors an, Alena Jakubcová., and Obsahuje bibliografické odkazy