Actress Anna Ondráková with her husband, boxer Max Schmelling, in Když hvězdy svítí (When the Stars Shine, dir. Hans H. Zerlett, 1938). The following footage includes clips showing Anna Ondráková in several other film roles, such as Velbloud uchem jehly (Camel Through the Eye of a Needle, dir. Karel Lamač, 1926), with the last clip being from Únos bankéře Fuxe (The Kidnapping of Fux the Banker, dir. Karel Anton, 1923).
A large web corpus (over 10 billion tokens) licensed under CreativeCommons license family in 50+ languages that has been extracted from CommonCrawl, the largest publicly available general Web crawl to date with about 2 billion crawled URLs.
The package contains Czech recordings of the Visual History Archive which consists of the interviews with the Holocaust survivors. The archive consists of audio recordings, four types of automatic transcripts, manual annotations of selected topics and interviews' metadata. The archive totally contains 353 recordings and 592 hours of interviews.
The segment of Československý zvukový týdeník Aktualita (Czechoslovak Aktualita Sound Newsreel), 1938, issue no. 38 offers an excerpt from the radio speech delivered by President Edvard Beneš on 10 September 1938, in which he addresses the German minority in Czechoslovakia.
Actress Hana Vítová in an unidentified German film (sound). Vítová with actor Oldřich Nový in Valentin Dobrotivý (Valentin the Good, dir. Martin Frič, 1942). Vítová with her husband, critic Bedřich Rádl, in a segment from Československý zvukový týdeník Aktualita (Czechoslovak Aktualita Sound Newsreel) 1942, issue no. 49.
"Large Scale Colloquial Persian Dataset" (LSCP) is hierarchically organized in asemantic taxonomy that focuses on multi-task informal Persian language understanding as a comprehensive problem. LSCP includes 120M sentences from 27M casual Persian tweets with its dependency relations in syntactic annotation, Part-of-speech tags, sentiment polarity and automatic translation of original Persian sentences in five different languages (EN, CS, DE, IT, HI).
Segment consisting of footage showing objects from the scene of the assassination of acting Reich Protector Reinhard Heydrich, which was screened in all cinemas throughout the Protectorate. The camera shots capture a woman´s bicycle, a man´s coat, a cap with a visor, two leather briefcases, and a submachine gun made in England. The subtitles urge the members of the audience to identify the owners of the items in question and to help the police catch the perpetrators. The film was part of an aggressive campaign to spread fear of the annihilation of the nation, reinforced through the daily publication of the names of the executed in the media.