This study attempts to analyse the basic tendency of the Austrian state to regulate and control the move of inhabitants. After fading of population theories that saw state wealth in the population growth, therefore supporting immigration, the period of the Napoleonic wars came that became catalyser of a rapid legal development in the field of immigration. Entirely unprepared Austria specialised its basic strategies in respect of foreigners and of the population move control. The attitude of the state to foreigners determines their "utility for the state", which finally results in the establishment of categories of foreigners: privileged, facultative, and undesirable. Applying practical examples, the study specifies such classification of foreigners and of their destinies within the Austrian state. The privileged: The Netherlands textile specialists in the fine cloth factory in Náměšť near Brno; Turkish merchants and subjects of the High Porte of the Jewish religion; the facultative: the Netherlands state officers who, due to their loyalty to Austria, had to leave their homeland after the occupation of the Austrian Netherlands (later Belgium) by the French Republic; the undesirable: The French who were potentially suspected of propagation of revolution ideas or of espionage; here examples of the high French nobility have been specified, i.e. of the de Bombelles family and of dismissed highranking officers of the elite Prince de Condé Regiment (then in active service of Russia)., Zdeňka Stoklásková., and Obsahuje bibliografické odkazy
The aim of this paper is to describe 18th century "language criticism" (Sprachkritik) in the Bohemian Lands and underline its role within the process of establishing of the literary criticism. In the Habsburg monarchy, the language criticism can be traced back to the late 1740s; its origins are linked to the southern German sense of cultural (and thus linguistic), political and economical backwardness and to the efforts to catch up with the mostly protestant countries of Central and Northern Germany. The authors of this article examine not only reflections of used language and style in particular works, but also the position, prestige and function of various languages (German, Latin, Czech) themselves. The trends in language criticism and - in the narrower sense - language cultivation are examined with the use of both expert contributions to learned discussions and publicistic articles in critical journals aiming at a larger audience. In the whole process, several moments that meant a significant impulse for language criticism can be observed. The first one would be the appointment of Karl Heinrich Seibt as university professor of Schöne Wissenschaften (belles lettres), rhetoric, historia litteraria and ethics in 1763, followed by the efforts to establish a learned society, Josephine reforms and foundation of a chair of Czech language and literature at Prague university in 1791. Finally, the tightening of censorship from the second half of 1790s on had a considerable influence on criticism; its subject started to change and it began to focus on a different group of intended readers: while it used to try to educate potential future authors, afterwards it concentrated more and more on educating of the "common reader" and engaging him into critical reflections on belles lettres., Václav Petrbok a Ondřej Podavka., and Obsahuje bibliografické odkazy
Starting with the traditional dichotomy of two views of the relation between criticism and art - "criticism as art" and "criticism based on detachment" - this study seeks to show both standpoints to be part of a single complex of issues and tensions associated with the functional differentiation within literary communication at the turn of 18th and 19th century. This approach is based on Niklas Luhmann’s system theory, applied (with something of a twist) by Siegfried Schmidt to literature. After introducing the problem of functional differentiation within the literary system in Bohemia, the study presents many different historical conceptions of the relation of art and criticism observable in discussions at the turn of 18th and 19th century in Bohemia. I then focus on the notion of "genius" in these discussions, which played an important role in the development of the concept of "criticism as art". In the following three parts, the study investigates the differentiation of critical praxis: the genesis of "artistic criticism" characterized by hermeneutics and its form-reflecting approach, and the ongoing usage of artistic genres in criticism. The last part focuses on a specific critical genre of the period, the satirical vision, and its transformation as a consequence of the differentiation of the literary system., Václav Smyčka., and Obsahuje bibliografické odkazy