This study deals with reforms by Josef II, in particular with the abolition of the monasteries as recorded in contemporary sources supporting the reforms being carried out. The author selects some significant themes treated by the proponents of reform. The main theme is the criterion of human nature. Related themes include: monks’ asceticism, celibacy, monasteries as the quintessence of baroque piety, and mendicant orders., Petr Hasan., and Obsahuje bibliografické odkazy
anglicky napsal František hrabě z Lützowů ; z originálu přeložil Josef Jul. David ; s předmluvou Arnošta Denise a úvodem T.G. Masaryka, Přeloženo z angličtiny, and Obsahuje bibliografické odkazy a rejstřík
This study introduces an emblematic scheme within the stucco decoration of the Palace Chapel in Červené Poříčí. The given emblematic sheme glorifies the Most Sacred Heart of Jesus. It was inspired by the emblem book of the Bavarian theologian Anton Ginther, which was published in 1706. The article tries to place the programme of the decoration into the context of Middle European evolution of the devotion to the Most Sacred Heart of Jesus - a cult that was very popular at the time. Finally, the article places the decorative scheme into political and historical context and discusses the role its patron played in determining the decoration’s commission and execution., Daniela Štěrbová., and Obsahuje bibliografické odkazy
During the reign of the empress Maria Theresa and in particular of her successor Joseph II, the Habsburg monarchy went through substantial changes. The state took control of parts of public life which had until then been independent. Besides arts, which started to be controlled through the state academy, architecture became the centre of attention. Architecture regulated by state was supposed to observe the so called architectura civilis (Bürgerliche Baukunst) the principles of which had been formulated by German and Austrian theoreticians and mathematicians in the second half of the 18 century. The main features typical for the architectura civilis were simplicity, practicality and economy, which suited the enlightened state. Architects and engineers with profound theoretical knowledge who were able to respond to a wide spectrum of assignments became important for the intentions of the state. Designers who did not make part of the guild structure and who had such wide competences that they could design architecture normally designed by engineers - fortifications, roads, and bridges were considered as ideal. This study focuses on the professional bibliography of two significant engineers working in the service of the estates and the state in Moravia at the last years of 18 century Johann Anton Krzoupal von Grünnenberg, and first Director of the Provincial Building Directorates in Brno Karl Jacobi von Eckholm., Michal Konečný., and Obsahuje bibliografické odkazy
This article discusses the Enlightenment concept of theatre as formulated in the work of the Viennese playwright Paul Weidmann, who was active in the reign of Joseph II (1765-90). In Weidmann’s conception, theatre has two main functions: one is to provide a theoretical basis (the idea of a national theatre; theatre as a school of moral educational); the second is to delineate a socio-historical context. The themes explored by Weidmann are civil war and wars of religion, and the question of how to level social differences - problems that still very much beset the modern world. In the face of current religious, political and economic conflicts, Weidmann’s stage plays still carry a powerful message., Joanna Giel., and Obsahuje bibliografické odkazy
As an example of the activities of the Austrian secret police under Emperor Francis II (I), we consider the surveillance of Louis Bonaparte (1778-1846), king of Holland, when he was in exile in Teplice. The Austrian secret police used several "tools" in the surveillance of persons who were or had aroused suspicion of being criminals or enemies of the state. The ministry of foreign affairs (Hof- und Staatskanzlei), the ministry of the interior (Oberste Polizeihofstelle) and the government of the states (Länder) worked together. The police paid "confidential people" (Vertraute) to observe the habits, activities and friends of the above categories of person. This work was done at the best-known spas by inspection commissioners who tended the patients and collected information. At the mail service letters from suspicious persons were secretly opened and copies were made. It is shown that these methods provided a fairly good picture of the person under surveillance, in our case the king of Holland., Friedrich Wilhelm Schembor., and Obsahuje bibliografické odkazy
The aim of the present paper is to examine certain philosophical issues which have set the tone of the philosophical reflection in eighteenth century France in relation to a specific case study: that of the "wild child" known as Victor of Aveyron. Found in 1800 in central France, Victor was later transferred to the Parisian Institute of the DeafMutes, where he became the object of educational activities of JeanMarc Itard, a medical expert known for his works on the problem of hearing loss. Through a brief critical examination of the most notorious philosophical texts dealing both with the question of wild children and deafness (namely by Rousseau, Diderot and Condillac), we attempt to show that the specificity of Itard’s educational method consists in an application of the sensualist approach towards the human individual (as it is exemplified especially in the work of Condillac) on a concrete human subject, considered as a tangible proof of the inexistence of innate ideas. On this basis, we sketch several broader questions concerning the status of anomaly in the eighteenth century philosophical thought (namely, wild children and deafness), as well as some hypotheses on education and its fantasmatic aspects in general., Josef Fulka., and Obsahuje bibliografické odkazy
The article tries to characterise the spiritual life of a group of members of the Czech Reformed exile community in Husinec near Strzelin in Silesia at the turn of the 18th and 19th century. It starts with a detailed analysis of a unique manuscript miscellany written there by certain senior Bureš in 1833 and containing Czech translations of various German texts, mostly sermons (especially of the famous Pietistic preacher Ludwig Hofacker), but also travel diaries of Herrnhut missionaries in North America and Greenland from the 1770s, translated by a certain J. S., probably the former local teacher Jan Sovák. It identifies both the scribe and the translator as diaspora sympathizers of the Herrnhut Unitas, striving to supply for themselves and other members of their community spiritual texts suitable for reading aloud during their worship. As a possible model for the miscellany, the article identifies Gemeinnachrichten, the German manuscript periodical of the Unitas, which also combined sermons with missionary reports and diaries and was accessible to a limited extent to diaspora sympathizers. Finally, the article characterizes the spiritual life of the Husinec diaspora as rather eclectic, but capable of active reception of various Pietistic spiritual impulses, partly, but not exclusively emanating from the Unitas. This seems to support the thesis that Early Modern Czech non-Catholic exile played an important role in the Czech-German literary, cultural and religious relations., Alena A. Fidlerová., and Obsahuje bibliografické odkazy
In contrary to general interpretations of opera buffa, the presence and importance of arias and ensembles based primarily on emotions (and not only action) are crucial for the genre’s dramaturgy as well as for its historical development. The presence of lyrical arias in opera buffa has its origins in the traditional comic dramaturgy (one or more couples of serious lovers), the number, form and functions of such arias, however, changed considerably during the 18th century. Not only the use of Tuscan Italian, but also adopting new music features of opera seria for lyrical arias of noble lovers (in 30ties) led to the rapid dissemination of the genre. Similarly, broadening of the typology of characters and its emotions in the works of Goldoni and his composers, mostly the including of the sentimental plots and its new kind of heroine, supported the popularity of opera buffa and its transformation to the leading operatic genre in the second half of 18th century., Marc Niubo., and Obsahuje bibliografické odkazy