In the history of Czechoslovakia, "normalization" is the name given to the period from the 1969 to the 80´s. It was characterized by initial restoration of which was led by Alexander Dubček (1968-1969) and subsequent preservation of this new status quo. Normalization is sometimes used in a narrower sense to refer only to the period between 1969 and 1971. When Gustav Husák became the leader of the KSČ in place of Alexander Dubček in April 1969 after the military intervention of Warsaw Pact armies, his regime acted quickly to "normalize" the country´s political situation. and JIří Hoppe.
Almost any Czech you ask about the most significant years containing "eight" in Czech history would be able to name at least three: 1918, 1938 and 1968. It is indisputable that all of these historic milestones were of great importance to the fate of out nation. The last three articles are thematically focused on the politics of our statesmen Masaryk, Beneš or Štefánik during the Christmas. and Josef Harna.
The second half of the 18th century marked an extraordinary flowering of music, especially church music in the Czech lands. Monastic churches, in particular, were characterised by a high level of music production performed by choral scholars whose liturgical music was conducted by chosen monks. Some members of religious orders also composed. These were for example M. J. Haberhauer (1746-1799), a member of the Benedictine order situated in Rajhrad near Brno and P. J. Marek (1748-1806) who belonged to the Augustinian monastery in Brno. Both of them got a musical education as choral scholars and remained musically active also after entering orders. Eventually these two authors both performed as chorregents in the 70’s and early 80’s of the 18th century and they collected sacred and secular pieces of music of their more famous and popular contemporaries (C. Ditters, F. X. Brixi, Haydn, etc.). Apart from a few exceptions they were only composing liturgical works. Haberhauer bequeathed 90 compositions, most of whom composed of Mass for choir and solo accompanied with instrumental ensemble as well as vespers and motets. Marek, however, composed only 21 church compositions and most of them consist of Marian antiphons and litanies of Loreto. These were necessary at the Augustinians, given the honor rendered to the picture of Virgin Mary placed in their church. The two monasteries ran a mutual cooperation which can be proved by Haberhauer music collection preserved at Augustinians in Brno. Haberhauer work can be also found in the collections of other Moravian churches and also at Prague Benedictine order. While Marek’s compositions were exclusively connected to the Augustinian monastery in Brno. Their pieces of music are purely purposeful showing features of a musical classicism. Lives and works of both composers are now the subject of research of the author and of Pavel Žůrek from the Ins, Irena Veselá., and Obsahuje bibliografické odkazy