Studie Evy Myslivcové se zabývá korespondencí mezi hudebním skladatelem Antonínem Dvořákem a jeho blízkým přítelem Aloisem Göblem., This article introduces newly found photocopies of two letters from Antonín Dvořák to Alois Göbl with heretofore unknown and unpublished contents (newly discovered facts about Dvořák’s life and about period reception of his masterpieces – e.g. the Symphony No. 9 in E Minor “From the New World”, op. 95, and the Cello Concerto in B Minor, op. 104) and places them within the context of Dvořák’s correspondence addressed to his friend Göbl in Sychrov that has already been published in several different editions., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 299, anglický abstrakt na s. 289.
Studie Heleny Matějčkové se zabývá obchodními kontakty mezi hudebním skladatelem Antonínem Dvořákem a londýnským nakladatelem Augener & Co., In the course of research focusing on the history of publication of the works of A. Dvořák, printed editions have been discovered for five works that were issued in 1885 and 1886 by the London publishing house Augener & Co. The literature and sources concerning the life and work of A. Dvořák, however, make no mention of this publisher or of its editions of Dvořák’s music. The study maps the history and activity of the publishing house, devoting the greatest attention to describing the new sources and to consideration of the possible circumstances of their publication – Augener’s editions of Dvořák’s compositions appear to have been prepared on the basis of already issued printings by the Prague publisher F. A. Urbánek – and of aspects of publishing practice at the time, especially with regard to copyright issues., Helena Matějčková., Rubrika: Studie, and Anglické resumé na s. 265, anglický abstrakt 247.
Studie Jana Kachlíka se zabývá dobovou recepcí kantáty Stabat Mater hudebního skladatele Antonína Dvořáka a také skladatelovou citací motivu z tohoto díla v komické opeře Šelma sedlák., Jan Kachlík., Rubrika: Studie, and Německé resumé na s. 341, anglický abstrakt na s. 331.
This study is dedicated to a collection of compositions titled Hudební album (A Musical Album), volumes of which were issued in print from 1891 until 1896 by the Prague publisher Fr. A. Urbanek. The collection focused primarily on piano compositions by contemporary Bohemian composers. The first part of the study is devoted principally to the contents of the collection and to the circumstances of its publishing, then the second part examines the printing of compositions by A. Dvořák (All through the night a bird will sing from the song cycle Evening Songs, op. 31, Furiant, op. 12/2, and Dumka, op. 12/1) in Hudební album in versions that differ from the first editions published by Fr. A. Urbanek. This fact has not yet been researched by Dvořák scholars., Helena Matějčková., and Anglické resumé na s. 333.
There was a close relationship between the patron of Czech science and the arts and the founder and first president of Czech Academy of Science and the Arts, Josef Hlávka, and one of the most famous Czech composers, Antonín Dvořák. and Tereza Kibicová.
Studie Jarmily Gabrielové se zabývá inspiračními předlohami libreta k opeře "Vanda" hudebního skladatele Antonína Dvořáka a zaměřuje se rovněž na dramaturgickou strukturu díla., The article deals with select adaptations of the Vanda-theme in the 19th century dramatic writing (Zacharias Werner, Tekla Łubieńska, Francyszek Więżyk, and Matija Ban). On the basis of these works, possible models for the libretto of Antonín Dvořák’s Vanda op. 25 are discussed., Jarmila Gabrielová., Rubrika: Studie, and Německé resumé na s. 245, anglický abstrakt na s. 233.
Studie Markéty Hallové se zabývá historií vzniku kantáty "Slavnostní zpěv", op. 113, hudebního skladatele Antonína Dvořáka na text Jaroslava Vrchlického, která vznikla k oslavám sedmdesátých narozenin Josefa Tragyho, dlouholetého jednatele Společnosti pro zvelebení hudby v Čechách., Markéta Hallová., Rubrika: Studie, and Německé resumé na s. 364, anglický abstrakt na s. 343.
Studie se zabývá vlivem Roberta Kellera (1828 - 1891), lektora nakladatelství Fritze Simrocka, při přípravě publikování Smyčcového sextetu A dur, op. 48, a Smyčcového kvartetu Es dur, op. 51, A. Dvořáka., Jan Kachlík., Rubrika: Studie, and České resumé na s. 363, anglický abstrakt na s. 353