This study is dedicated to a collection of compositions titled Hudební album (A Musical Album), volumes of which were issued in print from 1891 until 1896 by the Prague publisher Fr. A. Urbanek. The collection focused primarily on piano compositions by contemporary Bohemian composers. The first part of the study is devoted principally to the contents of the collection and to the circumstances of its publishing, then the second part examines the printing of compositions by A. Dvořák (All through the night a bird will sing from the song cycle Evening Songs, op. 31, Furiant, op. 12/2, and Dumka, op. 12/1) in Hudební album in versions that differ from the first editions published by Fr. A. Urbanek. This fact has not yet been researched by Dvořák scholars., Helena Matějčková., and Anglické resumé na s. 333.
Studie Jarmily Procházkové se zabývá písněmi hudebního skladatele Leoše Janáčka, které byly inspirovány srbskou kulturní tradicí., This study is concerned with determining the previously unknown textual sources for Janáček’s lost chorus Ženich vnucený (The Enforced Bridegroom) from 1873, the composition of which testifies, as does that of his chorus Osudu neujdeš (You Cannot Escape Your Fate), to the composer’s interest at that time in South Slavic folklore. He took the texts for both pieces from the collection Zpěvy lidu srbského (Songs of the Serbian People) – Vol. I, Prague 1872 – in Czech translations by Siegfried Kapper (1821–1879), in which Kapper presented to the Czech public folk poetry from the collections of Vuk Stefanoviç Karadžiç (1787–1864). Kapper’s edition of the Czech translation was known also by Antonín Dvořák and Josef Suk, who used it in their vocal works composed to translations of Serbian folk texts., Jarmila Procházková., Rubrika: Studie, and Anglické resumé na s. 402, anglický abstrakt 393.
Studie Jarmily Gabrielové se zabývá inspiračními předlohami libreta k opeře "Vanda" hudebního skladatele Antonína Dvořáka a zaměřuje se rovněž na dramaturgickou strukturu díla., The article deals with select adaptations of the Vanda-theme in the 19th century dramatic writing (Zacharias Werner, Tekla Łubieńska, Francyszek Więżyk, and Matija Ban). On the basis of these works, possible models for the libretto of Antonín Dvořák’s Vanda op. 25 are discussed., Jarmila Gabrielová., Rubrika: Studie, and Německé resumé na s. 245, anglický abstrakt na s. 233.