Organologická studie se zabývá nástrojem, který byl v držení harfenistky, pedagožky a hudební publicistky Marie Zunové-Skalské a dnes je uložen ve sbírkovém fondu NM-ČMH., Daniela Kotašová., Rubrika: Studie, and Anglické resumé na s. 384, anglický abstrakt na s. 365.
Studie Davida Kozla je věnována formě hudební koláže ve vztahu k princpipu mytologického myšlení, stejně jako jejího použití v postmoderní hudební tvorbě., The term neo-mythologism can be used as an interpretative approach to reflect the new 20th-century music paradigm, which helps to explain changes in the understanding of basic structural elements of myth and music. The study identifies certain possible correlations between mythological thinking and music by analysing the concept of collage (bricolage). The underlying theoretical concept employed is Claude Lévi-Strauss’ structural anthropology as proposed in La Pensée Sauvage (1962). Collage is viewed as a manifestation of neo-mythologism and as a narrative in the postmodern musical discourse, which is accompanied by changes in the understanding of the essence of the musical matter and compositional techniques of composers. The compositional treatment of several different layers of the musical structure within a musical collage with a view to conveying a new meaning is in principle akin to how meaning is generated in mythological thinking through the combination of various materials., David Kozel., Rubrika: Studie, and České resumé na s. 192, anglický abstrakt na s. 181.
Příspěvek Martina Ledvinky je zprávou o muzikologické konferenci studentů Ústavu hudební vědy FF UK, která se uskutečnila v prostorách Kabinetu hudební historie EÚ AV ČR dne 24. května 2012., Martin Ledvinka., Rubrika: Konference, and Cizojazyčné resumé není.
The diaries of the Bohemian nobleman Johann Nepomuk Chotek (1773-1824) are an important new source for the history of music in Prague. In particular, they describe 17 concerts given by the Society of Musicians between 1804 and 1822 in the Estates Theater. The programmes of seven concerts were previously unknown. Chotek not only gives accurate dates for the performances, but also names the pieces and performers, thus supplementing the information in Michaela Freemanová‘s 2003 article on this society. As a trained music connoisseur, Chotek also critiques the orchestra and singers, judges the music, and describes the reaction of the public., Rita Steblin., and České resumé na s. 61, anglický abstrakt na s. 47.
Studie Tomáše Slavického se zabývá kancionálem "Jesličky, staré a nové písničky" od českého barokního básníka a duchovního Fridricha Bridelia a zasazením jeho repertoáru do kontextu evropské tvorby duchovních písní., The songbook Jesličky (1658) has tended to be cited primarily as an example of direct contacts between Czech and German hymnography of the 17th century. Opening the door to consideration of a broader context was the presence of certain tunes in Latin-Slovak and Latin-Croatian printed material as well. An entire set of identical tunes has subsequently been confirmed in Latin, German, Czech, Slovak, Hungarian, and Croatian hymnography. The situation outlined above has thus shifted the original issue – the “new” songs printed in Jesličky are not just a new layer of the Czech Christmas repertoire with proven German sources, but also an attempt at creating Czech versions of a supranational repertoire. The search for source models is thus growing into research surveying the new repertoire of Christmas songs that was spreading its way around Central Europe near the middle of the 17th century., Tomáš Slavický., Rubrika: Studie, and České resumé na s. 415, anglický abstrakt na s. 399.
This study examines the life and performing artistry of the pianist Barbara Kozeluchova (1781-1821), daughter of Johann Anton Kozeluch (1738-1814), an important Prague composer and choir director at the Cathedral of St Vitus. On the basis of period reports in the Bohemian and foreign press, it also discusses her performances at the Estates Theatre. During the eighteenth and nineteenth centuries, the theatre building also served the function of a concert hall where leading Bohemian and foreign performers appeared., Ludmila Mikulášová., Obsahuje seznam literatury, and Německé resumé na s. 69, anglický abstrakt na s. 63.
Zpráva o výroční konferenci České společnosti pro hudební vědu, uskutečněné v Praze 29. - 30. listopadu 2013., Jarmila Gabrielová, Jana Vozková., Rubrika: Konference, and Cizojazyčné resumé není.
Studie Jana Kachlíka se zabývá dobovou recepcí kantáty Stabat Mater hudebního skladatele Antonína Dvořáka a také skladatelovou citací motivu z tohoto díla v komické opeře Šelma sedlák., Jan Kachlík., Rubrika: Studie, and Německé resumé na s. 341, anglický abstrakt na s. 331.